
Kroppen som levende instrument
»The soprano’s ghostly song was marinated in electroacoustics, as loose as our individual ideas of a story«.
»The soprano’s ghostly song was marinated in electroacoustics, as loose as our individual ideas of a story«.
If we sought to go beyond the media reveal, what new practices of knowledge should emerge?
How does a sonic artist come to terms with the global effects of the tools of her trade?
How John Cage deconstructed the governed gallery experience and formed a new field of research.
A curatorial reading of Bruce Nauman’s sound installation “Für Kinder” calling for a post-medium approach to sound art.
A methodology of working with embodied sound and movement as an approach to creating open score pieces.
Artistic and curatorial practices in a state of crisis.
Video recordings of five RE:SOUND keynotes as well as a panel discussion on sound art curation.
How to structure a composition in real-time.
Creating the imaginary city through electronic and electroacoustic music in word and sound.
A site-specific day-long installation/performance in the Gothenburg harbour.
Of an ecological enactive perspective.