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In this audio essay we interrogate the autoethnographic in soundscapes by engaging with the narratological nature of field recordings in their ability to convey not only affect but also memory, history, and context.
This audio paper analyses the emotions of contemporary laments in the context of music and performing arts in Finland, and presents the course of events behind the current practices with audio examples.
An audio paper addressing the exploration of ”solastalgia” through musical means.
An audio paper based on the story of women working and weaving hemp burial garment sambe in South Korea.
Synthetic voice creation as the promotion of diversity.
Postcolonial reflections through soundwalk production.
Editing and listening to field recordings as methods in postcolonial history writing.
Decolonization and the creation of dialogical narratives.
Collaborative improvisation as a creative point of departure for studio production.
Critical examination of piano music through a psychological understanding of the act of performing.
Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.
Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.
On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.
Reflecting the practice of the medical technique for listening with a stethoscope.
How to structure a composition in real-time.
Creating the imaginary city through electronic and electroacoustic music in word and sound.
A site-specific day-long installation/performance in the Gothenburg harbour.
Of an ecological enactive perspective.
The process of making a piece for voice, Vietnamese zither đàn tranh, and electronics.
Just above the noise floor.
Central Africa, Central Europe, global networks.
A proposal for alternative radio histories.
A pen friendship between East and West.
The walser hamlet of San Gottardo.
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.