PEER article03.07.2026
Hygge acoustics
(Dis)comfortable politics
Arkiv
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PEER article03.07.2026
An economics of audibility
Pricing urban ear-time and sonic citizenship over 24 hours
PEER article03.07.2026
The voice of the state
AI-generated text-to-speech communication in public e-governance
PEER article03.07.2026
Sonic Citizenship
PEER article09.11.2024
Notes on ping
Reflections on an isolated generic sound and how it operates on an affective spectrum from the banal to the horrifyingly significant.
PEER article06.01.2024
Sound as shield
The essay probes poetics and the politics of a life-affirming operation in which Ukrainians have been self-engaged to resist subjugation and assimilation under Russian colonialism.
PEER article11.12.2023
Democratic noise
Democratic conversation and collectively improvised music have such pronounced similarities that improvisations can be discussed in terms of their democratic potentiality.
PEER article11.12.2023
The human body as a space defining element of sound art
This article researches the role of the Human body in the production of sound art in the exhibition space. It focuses on the spatial path between body and sound in the exhibition space of sound art.
PEER article11.12.2023
The lyric ear
The article analyses the genre of listening scores – texts written in a natural language that provide the readers with instructions to listen in a certain way or to a certain kind of sounds.
PEER article02.06.2022
Sensory concert
An analysis of a sensory concert and its challenge of the gendered stage.
PEER article02.06.2022
Exhibiting the unheard(-of)
Women composers and the inadequate representation in historical canons and museum exhibitions.
PEER article02.06.2022
Gender matters
Inclusion and exclusion of gendered artefacts, bodies and things in the spaces of P3´s music production.
PEER article06.04.2021
Seismograms of a musical work
An investigation of pianists’ independence from the score by comparing their tempo through graphs.
PEER article06.04.2021
A chip off the old Block?
Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.
PEER article26.06.2020
Beyond the media reveal
If we sought to go beyond the media reveal, what new practices of knowledge should emerge?
PEER article26.06.2020
Sounding new materialism
How does a sonic artist come to terms with the global effects of the tools of her trade?
PEER article26.06.2020
The composer as curator
How John Cage deconstructed the governed gallery experience and formed a new field of research.
PEER article26.06.2020
The institutional situation of so-called sound art
A curatorial reading of Bruce Nauman’s sound installation “Für Kinder” calling for a post-medium approach to sound art.
PEER article26.06.2020
Confronting embodied knowledge
A methodology of working with embodied sound and movement as an approach to creating open score pieces.
PEER article28.06.2019
The audio paper
The current practice of the new format of the audio paper as well as its brief history.
PEER article15.11.2017
Turntable materialities
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
PEER article15.11.2017
A temple of sonic haecceities
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
PEER article15.11.2017
Beyond matter: object-disoriented sound art
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
PEER article15.11.2017
The im/mediate noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
PEER article15.11.2017
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.