kortkritikrelease
12.08

Modstandens trommer

Maria Faust Sacrum Facere: »Marches Rewound and Rewritten«
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Med sit seneste album har saxofonisten og komponisten Maria Faust sat det politiske i centrum af jazzen – i den lange tradition efter Ornette Coleman, Miles Davis, Charlie Haden, Fred Frith og Tom Cora, for blot at nævne nogle få. Det overraskende er hendes valg af genre: marcher, som i sig selv ikke er en traditionel jazzform. Hvis Charles Mingus for eksempel hyldede New Orleans’ marching bands, er Fausts valg uden tvivl mere konfrontatorisk. De marcher, hun manipulerer og nedbryder indefra, er ikke af den underholdende slags – medmindre man er general – for de tilhører den militære og nationalistiske kategori.

Fausts musik ville passe perfekt til stykker som Alphonse Allais’ Père Ubu og Bertolt Brechts Den afviselige opstigning af Arturo Ui, i kraft af dens brug af det groteske som en kreativ drivkraft. Fausts geni ligger dog ikke i at forvandle disse marcher til fjollede cirkusfanfarer, men i at skabe et ægte truende rum i musikken – gennem kaos, men også gennem hjerteknusende dissonanser, som kan høres som et ekko af grådkvalte klagesange over de faldne i krig. Hendes relativt store ensemble – syv musikere plus hende selv – bestående af seks blæsere og to trommeslagere/percussionister, skaber et perfekt harmoni-disharmoni-univers, som hvis Charles Mingus og Sun Ra havde arbejdet sammen.

Marches Rewound and Rewritten er et skelsættende og vigtigt album, som lyser mørkt i disse svære tider og minder os om, at alt er politisk – især musik.

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Iku Sakan is an electronic musician from Osaka, Japan. his music focuses predominantly on the potential of emotional developments through the repetitive rhythmic patterns, rotating harmonics, and resonating melodies. The decades of collecting constantly shifting sound materials, melding improvisation, and DJ'ing practices, has led him to create his own unique niche of organic music in the late 2010s. His most recent works incl. a remix for the French composer Yann Tiersen (via Mute Records) and the forthcoming musique-concrete-inspired tone poem LP OMNITOPOEIA. When you ask Sakan what music is the answer is short: »Music is the healing force.«

© Andre Hansen

»To me, music is about everything else.«

Mike Sheridan has been a part of the Copenhagen electronic musicscene since the mid 00’s. He entered the scene, barely in his teens, with his landmark debut album I Syv Sind (In Two Minds, 2008). Sheridan traced an ambient and dreamy approach, and with limited tools at hand, he constructed a teenage masterwork that few could have predicted. Among the first in his generation, Mike Sheridan launched his career to high acclaim, effectively crossing over to mainstream audiences.

Recent projects includes featuring on techno artist KÔLSCH’s album Isopolis (2021) and performances in Nicolai Howalt’s exhibhition A Journey: The Near Future at Gallery Martin Asbæk (2022). Yesterday Sherian released the album Atmospherics

kortkritik
09.11.2023

Voldsomt charmerende Volvo  

Kresten Osgood: »Kresten Osgood & De Udeboende« 
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© PR

Danmarks måske mest produktive musiker Kresten Osgood og hans 20 medlemmer stærke ensemble De Udeboende præsenterer med dette selvbetitlede album en liveoptagelse fra den aarhusianske Spot Festival. Koncerten er helt tilbage fra 2008, men det var øjensynligt en koncert, der – ligesom Osgood selv har ry for – stak i alle retninger.

Først fire covers. En skramlende, percussiontung version af »Voldsom Volvo«, så Gary Bartz’ »Celestial Blues« med Osgood på charmerende danglish-vokal og hvinende saxofoner, der i et spændende midterstykke truer med at få det hele til at falde fra hinanden, indtil en rytmisk elguitar trækker nummeret tilbage fra afgrunden. Bill Fays »I Hear You Calling« sætter tempoet ned, indtil »In the Army Now« skaber fællessangsstemning med kor og akustisk instrumentering.

Herefter begynder de originale kompositioner. En fortælling om Edalf, der på sin løbetur i middelklassedanmark anno 19XX er ved at skide i bukserne, dernæst »Det betyder jo så meget«, en sjov, men i virkeligheden også trist ode til dem i Osgoods omgangskreds, der måske tager en kende for meget coke. Sidst, men på ingen måde mindst, kommer »Deportivo La Coruña« med ultrakiksede synths, trommemaskiner og lyrik, og, som glasuren på kiksekagen, hammondorgelsolo.

Osgood og De Udeboende kommer således virkelig vidt omkring både genrer og stemninger med en sprudlende livs- og spilleglæde. Det er befriende rodet, kaotisk og fuldt af gode vibes. Hvad der mangler af rød tråd, kompenseres der mere end rigeligt for med ubestridt charme.

© Benjamin Tarp

»I play music to connect people and I sing melodies to encourage community. I believe in the transformative power of music and love.«

Lucky Lo's (Lo Ersare) mission is to unite people through music by shining a light on the dark sides of life and transforming our struggles and worries into joy and hope. In a time  where mental illness is described as Denmark’s biggest public disease, Lucky Lo sees music as a vital tool for processing the challenges we face throughout life. 

She was awarded Talent of the Year at the Danish music publisher’s awards, Carl Prisen, and the Swedish music critic's award, Skaps Prisen. Her recent album bears the title The Big Feel.

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»For me music is emotions, life, love and language. Food is like music, we can't avoid it, we strive for it because we need it. Music is art in past, present and future, it will always evolve in time – but at the same time timeless as well. Music stands where words fail.« 

Johannes Sigurdsen is among the 13 artists nominated for the Nordic Council Music Prize 2023. Sigurdsen is from Nuuk, Greenland. Raised in Ikerasak. Self taught musician, guitarist, singer songwriter and music teacher. His nickname SIGU is also his artist name. SIGU is abbrevation of his last name: Sigurdsen. SIGU published his debut album Ujartaraat Qaamaneq in May 2022. He is recently student in Master of Music in pedagogical developement in RMC, Copenhagen.