• PEER audio paper23.08.2023

  Sonic worlds collide – sounds from Ukraine

  
  In this audio essay we interrogate the autoethnographic in soundscapes by engaging with the narratological nature of field recordings in their ability to convey not only affect but also memory, history, and context.

  Af Milena Droumeva & Svitlana Matviyenko
• PEER audio paper23.08.2023

  Creating grief and lamenting on stage

  
  This audio paper analyses the emotions of contemporary laments in the context of music and performing arts in Finland, and presents the course of events behind the current practices with audio examples.

  Af Viliina Silvonen & Emmi Kuittinen
• PEER audio paper02.06.2022

  Solastalgia

  
  An audio paper addressing the exploration of ”solastalgia” through musical means. 

  Af Karin Hellqvist

• PEER audio paper06.04.2021

  The generation of a [multi’vocal] voice

  
  Synthetic voice creation as the promotion of diversity.

  Af Multi’vocal Collective
• PEER audio paper06.04.2021

  Soundscapes as archives

  
  Postcolonial reflections through soundwalk production.

  Af Jacek Smolicki & Candace Campo
• PEER audio paper06.04.2021

  Towards an ethics of listening

  
  Editing and listening to field recordings as methods in postcolonial history writing.

  Af Carla J. Maier

• PEER audio paper06.04.2021

  A fundamental mode of being in the world

  
  Collaborative improvisation as a creative point of departure for studio production.

  Af Ilya Ziblat
• PEER audio paper06.04.2021

  Play always as if in the presence of a master

  
  Critical examination of piano music through a psychological understanding of the act of performing.

  Af Kent Olofsson & Francisca Skoogh
• PEER audio paper06.04.2021

  Lost in interpretation

  
  Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.

  Af Ulf Friberg, Carl Holmgren & Stefan Östersjö