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PEER article15.11.2017

Beyond matter: object-disoriented sound art

Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.

Af Budhaditya Chattopadhyay

PEER article15.11.2017

A temple of sonic haecceities

An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.

Af David Chesworth
PEER article15.11.2017

The im/mediate noise

This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.

Af Kevin Day
PEER article15.11.2017

Tears, fears and flashes

Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.

Af Ido Govrin

PEER article15.11.2017

Turntable materialities

This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.

PEER audio paper15.11.2017

Collisions

Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.

Af Kwame Phillips & Debra Spitulnik Vidali
PEER audio paper15.11.2017

Listening and not listening to voices

This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.

Af Cathy Lane
PEER audio paper15.11.2017

How to (re) do(o) things with sounds

In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.

Af Kevin Logan

PEER article15.11.2017

Diagram for invisibility

The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.

Af Rune Søchting

PEER audio paper15.11.2017

Origo

This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.

Af Morten Søndergaard
PEER audio paper15.11.2017

The audibility of rebellion versus nationalism

Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.

Af Jeremy Woodruff
kritik13.11.2017

12 timer på G((o))ng Tomorrow

Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.

Af Jakob Gustav Winckler