• kritik26.09.2016

  Yggdrasil slår stadig rødder

  
  Forestillingen om en nordisk musik lever videre i kunsten. Nikolaj Strands anmelder Sunleif Rasmussens 2. symfoni, 'The Earth Anew'.

  Af Nikolaj Strands
• kritik21.09.2016

  Norske lyde og ulydigheder

  
  Ny bog om foreningen Ny Musikk fortæller om knap firs års optagethed af samtidsmusik i Norge. Det lyder bekendt.

  Af Sune Anderberg
• reportage12.09.2016

  THE END – En teknisk operaoplevelse

  
  Operaen THE END byder på 3D animation, surround sound, elektronisk glitch og syntetiske stemmer i en kompromisløs virtuel forestilling med det japanske popikon, Hatsune Miku, i hovedrollen. Stina Hasse så opførelsen under Aarhus Festuge, og snakkede med komponisten bag, Keiichiro Shibuya.

  Af Stina Hasse Jørgensen

• PEER audio paper30.08.2016

  Mountain meets urban waterfront

  
  An audio paper combining soundscapes from Norwegian mountains with a Danish urban, post-industrial waterfront.

  Af Alexandra Baixinho & Tine Blom
• PEER audio paper30.08.2016

  A sound factory on Amager

  
  An exploration of new forms of labour facilitated by new and old infrastructure, expanding notions of place and work itself.

  Af Macon Holt & Katrine Pram Nielsen
• PEER audio paper30.08.2016

  Between maps and territories

  
  An audio paper based upon Andreas Führer's soundwalk 'The Map is Not The Territory D’Or'.

  Af Rasmus Holmboe & Jan Stricker

• PEER audio paper30.08.2016

  “Like sitting inside a phone”

  
  The radio studio is acoustically designed to be inaudible, but is yet ever-present as a prerequisite for voices and situations.

  Af Jacob Kreutzfeldt & Sandra Lori Pedersen
• PEER audio paper30.08.2016

  Place Time (Sounds)

  
  A discussion of Werder’s 2005 (1) in relation to Werder’s own oeuvre and to the work of John Cage’s.

  Af Ben Byrne
• PEER audio paper30.08.2016

  Through the air with the greatest of ease: Phonogenie

  
  An audio paper that explores songs as temporal and affective phenomena.

  Af Anne Robinson