PEER article15.11.2017
Turntable materialities
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
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PEER article15.11.2017
A temple of sonic haecceities
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
PEER article15.11.2017
Beyond matter: object-disoriented sound art
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
PEER article15.11.2017
The im/mediate noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
PEER audio paper15.11.2017
Collisions
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
PEER article15.11.2017
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
PEER article15.11.2017
Tears, fears and flashes
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
PEER audio paper15.11.2017
Origo
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
PEER audio paper15.11.2017
How to (re) do(o) things with sounds
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
PEER audio paper15.11.2017
The audibility of rebellion versus nationalism
Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.
kritik13.11.2017
12 timer på G((o))ng Tomorrow
Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.
reportage01.11.2017
Det handler stadig om at lege med lyd
Lasse D. Hansen rapporterer fra konferencen 'Young People, Composing and Contemporary Music' i London.
reportage27.10.2017
Tågen over Oslo
Reportage fra Ultima Festival 2017 og interview med afgående festivalleder Lars Petter Hagen.
interview22.10.2017
SNYK skal både ae med og mod hårene
Interview med Bjarke Svendsen i forbindelse med udnævnelsen af ham som ny daglig leder af SNYK.
kritik18.10.2017
Gå ikke over vejen, der kommer opera
Rikke Hansen Og Andreo Michaelo Mielczarek anmelder heldagsoperaen 'Operatic Mass Action', som var sat i scene af AUT til Aarhus 2017.
interview18.10.2017
Agony – en spiseopera om vor tids brydninger
Lea Wierød Borčak interviewer komponisten Line Tjørnhøj.
kritik11.10.2017
Robotter, systemer og den fri fantasi
Svend Hvidtfelt Nielsen anmelder Wayne Siegel: Celebration, Per Nørgård: Orgelbogen - Canon, Axel Borup-Jørgensen: Organ Music
portræt03.10.2017
Minimalismens glemte homo-guerilla
Mads Kjeldgaard tegner et portræt af den amerikanske komponist Julius Eastman, som i øjeblikket er ved at blive genoplivet fra de ukendte komponisters grav.
interview26.09.2017
Køn og sociale relationer i samtidsmusik: Hvordan man tackler blæksprutten
Juliana Hodkinson interviewer antropolog/kulturteoretiker Georgina Born om køn og andre sociale relationer i samtidsmusikken.
kritik18.09.2017
Sound and vision (and space)
Copenhagen Art Weeks tema var i år 'Sound and vision'. Seismograf anmelder tre af festivalens værker af henholdsvis Tobias Kirstein, Ursula Nistrup og Jacob Kirkegaard/Niels Lyhne Løkkegaard.
kritik13.09.2017
Opera som symfonisk digt? Formentlig årets store operaoplevelse
Andreas Engström anmelder Sarah Nemtsovs opera 'Sacrifice', der havde premiere 5. marts på Halle i Sachsen-Anhalt.
kritik01.09.2017
Som brødre vi dele
Lea Maria Lucas Wierød Borcak anmelder og reflekterer over adaptionen af Susanne Biers berømte film 'Brødre' til operaformatet. 'Brødre' spillede i Musikhuset Aarhus fra 16.-22. august.
interview30.08.2017
Rum/Klang – et anarkistisk lydkunstgalleri
Jakob Gustav Winckler taler med Adam Veng fra Rum/Klang – lydkunstgalleriet i Jyderup.
kritik14.08.2017
Reparatøren fortæller maskinmusikkens historie
Tobias Linnemann Ewé anmelder bogen 'Machine Music – A Media Archaeological Excavation' fra Aarhus University Press, skrevet af Post. Doc. Morten Riis.
kritik11.08.2017
Den sømand han må lide
Andreo Michaelo Mielczarek og Rikke Hansen anmelder Cristian Vogels iscenesættelse af det klassiske folkesagn Agnete og Havmanden på Åben Scene, Godsbanen, Aarhus.