PEER audio paper30.08.2016
A sound factory on Amager
An exploration of new forms of labour facilitated by new and old infrastructure, expanding notions of place and work itself.
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PEER audio paper30.08.2016
Between maps and territories
An audio paper based upon Andreas Führer's soundwalk The Map is Not The Territory D’Or.
PEER audio paper30.08.2016
The new “Amagerkaner”
A speculative audio paper about the past of 2055 assessing site-specific found objects coming from a near-future.
PEER audio paper30.08.2016
“Like sitting inside a phone”
The radio studio is acoustically designed to be inaudible, but is yet ever-present as a prerequisite for voices and situations.
PEER audio paper30.08.2016
Place Time (Sounds)
A discussion of Werder’s 2005 (1) in relation to Werder’s own oeuvre and to the work of John Cage’s.
PEER audio paper30.08.2016
Through the air with the greatest of ease: Phonogenie
An audio paper that explores songs as temporal and affective phenomena.
PEER audio paper30.08.2016
Hearing on the verge
An engagement with the sonic landscape by recording and listening in movement.
PEER article30.08.2016
Idiosyncrasy as Method
Holger Schulze’s keynote presentation asking for individual idiosyncrasies as parts of research methodologies.
PEER article30.08.2016
Audio Papers – a manifesto
A germinal manifesto for the audio paper.
kritik28.08.2016
A promising week with young composers
Andreas Engström with a review of this year's Young Nordic Music Days in Aarhus, Denmark.
kritik28.08.2016
Løfterig uge med de unge komponister
Andreas Engström anmelder årets udgave af Ung Nordisk Musik, der blev afholdt i Århus.
interview11.08.2016
“We can’t really afford to fuck this up”
Lasse D. Hansen interviews Peder Holm and himself ahead of the Young Nordic Music Festival in Aarhus.
interview11.08.2016
»Vi har ikke rigtig råd til at fucke det her op«
Lasse D. Hansen i interview med Peder Holm og sig selv forud for Ung Nordisk Musik-festivalen i Aarhus.
kritik09.08.2016
The duality of Bruun
Andrew Mellor on Peter Bruun's 'The Green Groves' and 'Exodus'.
interview01.08.2016
»Det er ikke risikoen værd bare at sidde og vente«
Camille Roth interviewer Konstmusiksystrar, et svensk netværk for kvinder og transpersoner, om samtidsmusikkens kønsubalance.
interview01.08.2016
“It’s not worth the risk to just sit and wait”
Camille Roth interviews Konstmusiksystrar, a Swedish network for women and trans people, about the gender imbalance in contemporary music.
portrait29.06.2016
Hello, world – 70 years of Young Nordic Music
Young Nordic Music (UNM) celebrates its 70th anniversary. Sune Anderberg writes.
kritik27.06.2016
Sound as Popular Culture – A Research Companion
Jacob Kreutzfeldt anmelder 'Sound as Popular Culture – A Research Companion' red. Jens Gerrit Papenburg og Holger Schulze. Massachusetts: MIT Press, 2016.
kritik26.06.2016
Forsøg og tradition
To meget forskellige koncerter fra årets Klang Festival med danske Athelas og engelske Distractfold. Mathias Monrad Møller anmelder.
reportage19.06.2016
UNSOUND – hører du, hvad jeg hører?
Andreo Michaelo Mielczarek har skrevet en reportage fra Unsound Festival i Kraków 11-18 okt 2015.
kritik09.06.2016
Klog musik til knuste hjerter
Mathias Monrad Møller anmelder indspilningen af Niels Rønsholdts sangcyklus »Me Quitte«.
kritik08.06.2016
Når en timelang sats er for kort
Svend Hvidtfelt Nielsen anmelder 'Music in Twelve Parts' opført af Philip Glass Ensemble, Kulturværftet i Helsingør, 20. maj.
interview30.05.2016
Organisk digitalt
Seismograf har mødt Mads Emil Nielsen til et interview om blandt andet de organiske og improvisatoriske elementer i hans elektroniske kompositioner.
reportage30.05.2016
Inside the notes: Only Connect 2016
Andrew Mellor reviews the Norwegian equivalent to Copenhagen’s Gong Tomorrow, the Only Connect festival in Oslo.
interview23.05.2016
En hyldest til livet i kulminens mørke
Ingeborg Okkels interviewer Julia Wolfe, der sidste år modtog Pulitzerprisen for »Anthracite Fields«.