A Clammy Kawaii Crescendo

Keiichiro Shibuya: »ANDROID OPERA MIRROR«

If the Japanese composer and musician Keiichiro Shibuya’s new album ANDROID OPERA MIRROR were to be summed up in a single word, that word would be »bombastic«. From the very first track, »MIRROR«, the listener is bombarded with gliding synth violins, brass, and a robotic voice intoning existential questions – ironically written by an AI.

There is something charmingly awkward about Shibuya’s pop-oriented, over-the-top compositions and the android vocal’s cloying kawaii factor. But before the album is halfway through, the constant pomposity begins to wear thin. »On Certainty«, with its ever-present strings and densely packed arrangements, rarely gives the music – or the listener – room to breathe. Shibuya and his android voice are saying an awful lot all the time, and it is so overwhelming that very little of it actually carries weight. When everything feels like an epic crescendo or the expected release from one, the effect is lost.

Taken individually, several of the tracks are otherwise quite compelling: »Midnight Swan (Android Opera ver.)«, which sounds like the opening theme to a dark and romantic anime, and the closing track »Scary Beauty (Vocal and Piano ver.)«, which shines precisely by trimming away the excess and focusing on the emotional core of the composition – an impact made far stronger by the simpler instrumentation. When the listener is not constantly overwhelmed, the romance, melancholy, and existential questions are allowed to make an impression. Unfortunately, ANDROID OPERA MIRROR is a listening experience that frustrates through its lack of subtlety – something it would otherwise have benefited greatly from.

English translation: Andreo Michaelo Mielczarek

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20.10

My name is Henrik Marstal – would you like to see my playlist?

»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«

Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.

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14.10

My name is Krzysztof Pietraszewski – would you like to see my playlist?

»Music helps me feel, process and regulate my emotions, giving them an outlet when I need release and bringing me calm when I need balance – it’s sort of my outsourced nervous system.«

Krzysztof Pietraszewski is a music journalist, editor and curator based in Kraków, Poland. Since 2016, he has served as artistic director of Sacrum Profanum, a festival dedicated to new and experimental music. He hosts Muzykoteka and the RKK Live concert rebroadcast series on Radio Kraków Kultura. He also develops listening sessions with discussions, inviting audiences to discover unfamiliar music, exchange impressions and experience listening as a shared activity. His work includes executive-producing recordings for the Sacrum Profanum Archives series. Originally from Silesia, he has made Kraków his home, sharing music through concerts, radio broadcasts, writing and, more recently, experimental DJ sets.

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14.10

My name is Lone Hørslev – would you like to see my playlist?

»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«

Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.

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14.10

My name is Raphael Loher – would you like to see my playlist?

»I think music is just the way I perceive and process the world.«

Raphael Loher is a pianist and composer based in Lucerne, Switzerland who combines elements of experimental electronic music, ambient, and minimalist composition. His distinct, crystalline work explores playful reduction and rhythmic abstraction, aiming to create singular resonances and aesthetic connections. His meditative style of piano playing allows shimmering rhizomatic structures to emerge, giving rise to tense narrative arcs. Loher expands his sound spectrum by preparing the piano, using effect pedals, and working with a tape recorder.

Loher’s new album Figuren (Präsens Editionen) is an album shaped by intuition, experimentation, and a deliberate distance from his primary instrument — the piano. Reworking intimate concert recordings made during a residency, Loher deconstructed selected melodies, tones, and resonances into new forms, transforming them further through tape manipulation.

A Clammy Kawaii Crescendo

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My name is Henrik Marstal – would you like to see my playlist?

My name is Krzysztof Pietraszewski – would you like to see my playlist?

My name is Lone Hørslev – would you like to see my playlist?

My name is Raphael Loher – would you like to see my playlist?