»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«
Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.
Dido and Doom
Doom was in the air when Slim0 took the stage on Saturday night at a sold-out Alice. In October, the band released the 17-track album FORGIVENESS—an album that takes a slow step into the riff-laden terrain of stoner rock. For this evening’s occasion, the Slim0 trio had been expanded with a lineup featuring Agnete Hannibal on cello, Aase Nielsen on saxophone, and Johan Polder on bass.
The sound exists somewhere between the English singer Dido, the drone-metal band Earth, and the drill trio Shooter Gang from Trillegården – an abstract comparison that hardly does justice to the uniqueness of the songs, as Slim0’s long referential tentacles stretch far beyond the music’s sharp contrasts. With its sacral-sounding choir and heavy drum passages, the single »Trenches« fit perfectly into the live setting. The darkness and the shifts between the three vocalists – from shared harmonies to growl – intensified the theatrical metal expression.
In a similar way, a nostalgic sigh arose when Dido’s catchy vocal lines from the hit »Thank You« emerged in the double cover »I Have But One Heart.« The perhaps lesser-known instrumental part, consisting of Earth’s »Coda Maestro in F Flat Minor«, turned the piece into a prime example of Slim0’s referential swamp brew. Although the many contrasts made for a rather epic concert, they also left me feeling somewhat conflicted. Conflicted because I genuinely enjoy Slim0’s heavy and fragmented universe, yet the lack of voluminous weight left me craving a more bone-rattling sound that could carve the sharp contrasts even more deeply. Hunger for more doom is certainly not a bad feeling, and I look forward to hearing the epic expression grow louder and even heavier.
»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«
Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.