In brieflive
24.02

Dido and Doom

Vinterjazz: Alice: Slim0
© Slim0

Doom was in the air when Slim0 took the stage on Saturday night at a sold-out Alice. In October, the band released the 17-track album FORGIVENESS—an album that takes a slow step into the riff-laden terrain of stoner rock. For this evening’s occasion, the Slim0 trio had been expanded with a lineup featuring Agnete Hannibal on cello, Aase Nielsen on saxophone, and Johan Polder on bass.

The sound exists somewhere between the English singer Dido, the drone-metal band Earth, and the drill trio Shooter Gang from Trillegården – an abstract comparison that hardly does justice to the uniqueness of the songs, as Slim0’s long referential tentacles stretch far beyond the music’s sharp contrasts. With its sacral-sounding choir and heavy drum passages, the single »Trenches« fit perfectly into the live setting. The darkness and the shifts between the three vocalists – from shared harmonies to growl – intensified the theatrical metal expression.

In a similar way, a nostalgic sigh arose when Dido’s catchy vocal lines from the hit »Thank You« emerged in the double cover »I Have But One Heart.« The perhaps lesser-known instrumental part, consisting of Earth’s »Coda Maestro in F Flat Minor«, turned the piece into a prime example of Slim0’s referential swamp brew. Although the many contrasts made for a rather epic concert, they also left me feeling somewhat conflicted. Conflicted because I genuinely enjoy Slim0’s heavy and fragmented universe, yet the lack of voluminous weight left me craving a more bone-rattling sound that could carve the sharp contrasts even more deeply. Hunger for more doom is certainly not a bad feeling, and I look forward to hearing the epic expression grow louder and even heavier.

© Hreinn Gudlaugsson

»Music for me is like a sourdough. If you don't feed it right it is going to die. If you feed it correctly a lot of people can benefit from it.« 

Halym Kim is a drummer, composer and project coordinator based in Copenhagen. His music is mainly based in free improvisation and experimental music but performs also as a traditional Korean percussionist. He has a Master and an Advanced Postgraduate Diploma in Music Performance from RMC in Copenhagen. Together with Nana Pi he organizes Impro Camp which is a music camp for free and structured improvised music that is happening every year in Fredericia, Denmark.

© DMF

»Music for me is a tool of infinite expression. It’s where I’ve had the most complex conversations and open-minded experiences. It is the highest form of energy I know.«

Nana Pi is a saxophonist, composer and conductor working within the experimental music scene. She has developed a unique musical vocabulary on the saxophone by incorporating objects and extended techniques, pushing the boundaries of sonic expression. Beyond her work as a saxophonist, she is known for conducting improvisation using her music sign language, Extemporize, for which she received the P8 Jazz Award Årets Ildsjæl in 2020. She is a member of the well established record label Barefoot Records. In addition to her musical career, Nana Pi is organizing events such as Impro Camp and FredagsJAM that focuses on creating networks and inspiring music environments between musicians.

© PR

»For me, music is an emotional refuge. When I sit at the piano I feel safe, it's where I can release everything I carry inside. It's not about performing, it's about being honest, vulnerable and free.«

Samanta Yubero, known artistically as Samyula, is a composer, pianist, and neuroscientist based in Barcelona. Trained as a classical pianist and holding a PhD in her scientific field, Samyula bridges the worlds of art and science in her work. Her music – often within neoclassicism – blends both serene and intense piano melodies with vivid, dynamic string arrangements, creating emotionally resonant and immersive soundscapes. With a deep passion for both composition and performance, Samyula offers audiences a uniquely powerful and moving experience.

© PR

»Music is the ultimate gateway to presence, a true expression of the moment.«

Praised by DownBeat Magazine as one of Europe’s most versatile and inquisitive musicians, Polish-born, Scandinavian-based trumpeter and composer Tomasz Dąbrowski creates music that whispers before it screams – blending open, lyrical melodies with raw, unconventional trumpet sounds. Dąbrowski has revealed an unceasing curiosity, stretching and expanding his jazz roots in an ever-widening circle of exploration. From the beginning he’s rejected hierarchies, preferring to see creative music as a boundless practice that can accommodate ideas drawn from every spot on the stylistic map. While plenty of musicians pivot toward new directions, sometimes transforming their aesthetic wholesale, Dąbrowski has long revealed a more ruminative and holistic mindset that has allowed him to retain a clear artistic identity through countless projects, whether driven by improvisation or composition. 

© Malthe Ivarsson

»Music is where my heart is. The place where I feel the most freedom and possibility to express myself. It's also the place I seek to when I need to calm down.«

Anna Roemer is a Danish guitarist and composer from South Zealand, now based in Copenhagen. She has performed with artists like Hannah Schneider, Jacob Bellens, and Guldimund. Together with saxophonist Cecilie Strange, she forms the acclaimed duo K A L E II D O, known for music that constantly evolves. The duo has received national and international praise and won the Carl Prize for »Jazz Composer of the Year« for their albums Elements and Places (2024).