in briefrelease

Everything a Snare Drum Can Do

Ryan Scott: »21th-Century Canadian Snare Drum«

Let’s be honest: when you think of composed music for solo instruments, the snare drum is probably not the first thing that comes to mind. It may be the noisiest member of the percussion family and has been setting the volume level in everything from classical music to pop for decades. That’s why I pricked up my ears when the Canadian percussionist Ryan Scott announced an entire album of works for snare drum – written by 14 different composers. A full hour and a half of music, no less. And yes, that sounds like a lot for a record that mainly consists of a single drum. But there is definitely something to discover here.

The opening, Andrew Staniland's »ANTIGRAVITYDRUM«, blends free jazz with inspired use of percussive vibraphone, while Beka Shapps’ »Skinscape IV« sends the drum strokes through ring modulation and extensive sound processing, bringing us close to musique concrète. Christina Volpini’s »only ghost« slips into horror territory with march-drum-inspired bursts and ghostly use of the snare drum’s high register, while Amy Brandon’s »Time and Effort« almost becomes a demonstration of the instrument’s technical possibilities.

Fourteen works over ninety minutes is a substantial mouthful. The snare drum’s limited tonal vocabulary means that you occasionally lose focus, even after several listens, and the contrast between drum strokes and silence is repeated a little too often. That said, Ryan Scott and the composers get just about as much out of what is essentially a glorified marching drum as one could hope for. I was both entertained and intrigued along the way. As an experiment, the idea is strong – but in the long run also a bit too insistent for me to return to often. Still, one should not underestimate the versatility of a good old-fashioned snare drum.

English translation: Andreo Michaelo Mielczarek

playlist

14.05

We are L'arannà – would you like to see our playlist?

»To us, music is the definitive companion. As listeners, it fosters a sense of communion, bridging the gap between souls through the shared experience of sound. As creators, however, music confronts us with our own inner void, that profound solitude that nourishes the creative spirit. At the same time, it dares us to leap into the unknown to decipher the ineffable. Music anchors us to the present moment, to the 'now' shared with a live audience; yet, it also touches the eternal.«

L'arannà is an electronic folk duo. With their last project, Turmarí, the duo dives deep into the folk music traditions of the Pityusic Islands, offering – through their blend of sound exploration– a perspective on Ibiza and Formentera. Synthesizers and keyboards share the stage with traditional instruments and aesthetics inspired by the ancestral ball pagès dance. Reviving cant redoblat (a unique form of singing from these islands preserved by fewer than twenty people) the group weaves a narrative that traces the roots and lived reality of two islands that are far more than just a dreamt-of paradise. The band will be touring around Denmark and Sweden, from 27th to 31th of May, playing at venues like Turkis, Dexter, Inkonst or ALICE.

playlist

14.05

My name is Marcela Lucatelli – would you like to see my playlist?

»Music to me is movement, trance, transformation. The rest I won't tell you.«

Marcela Lucatelli is a vocalist and composer. Born in Brazil and based in Denmark, she has gained international recognition for her boundary-pushing performances — sensuous, politically charged, and uncompromisingly original. Described by The Wire as a composer of »scores for the limits of bodies and voice,« Lucatelli challenges conventions with her fearless vocal experimentation and bold compositions. Her works have been performed by Danish National Symphony Orchestra, Danish National Vocal Ensemble, and Neue Vocalsolisten Stuttgart. She has appeared at major festivals and venues, including Theatro Municipal de São Paulo, DR Koncerthuset, Donaueschinger Musiktage, Darmstadt Ferienkurse, IRCAM, Copenhagen Opera Festival, Ultima Festival, Borealis Festival, Copenhagen Jazz Festival, Jazzfestival Saalfelden, Cafe Oto, A L’ARME!, DMA Jazz – Danish Music Awards, WOMEX, and many more. Lucatelli's work has earned her several prestigious awards, including the Carl Nielsen and Anne Marie Carl-Nielsen Talent Prize (2019), Pelle Prize (2021), and the Danish Music Awards' 2023 Vocal Jazz Release of the Year, which shows that vocal jazz has many faces – and does not necessarily belong only to the soft end of the spectrum.

playlist

14.05

My name is Salim Washington – would you like to see my playlist?

»What is music to me? Here’s a quote from Nietzsche: ‘The people dancing all seemed crazy to the people who couldn’t hear the music.’«

Salim Washington is a saxophonist, multi-instrumentalist, composer, academic, and activist from Detroit who has been highly active on the American jazz scene since the 1970s, and also in South Africa, where he became a central figure. The spirit of John Coltrane hovers over his music, which carries both spiritual and social dimensions.

playlist

11.05

We are DØGNKIOSK – would you like to see our playlist?

»Music for us is the perfect language that we love to speak. A language where it is the individual's feelings and imagination that determine what is right and wrong. Everyone can speak the language. You don't have to be able to write or understand, but just listen. Some music requires that you listen carefully and maybe hear it several times. A bit like when you talk to someone from Norway or Sweden, you also have to listen a little extra.«

DØGNKIOSK is a Danish punk rock band with roots in Silkeborg. The band consists of bassist and singer Anders Ejner, who has been active on the Danish underground scene for several decades. Musically, DØGNKIOSK moves in a field between classic Danish punk and alternative rock. In the spring of 2026, the band will release their second album, Tæt på kanten.

news

05.05

A Critic on the Move – In Memory of Andreas Engström

It is difficult to comprehend that Andreas Engström is no longer with us. Just a couple of months ago, he wrote – as he had done so many times before – with an ambitious proposal: he wanted to review a box set of twenty releases by Dror Feiler. In the same message, he mentioned plans to come to Aarhus for the recently concluded Spor Festival.