A Riddle I Am Not the Right One to Solve

Abdullah Miniawy: »Nigma Enigma«

I believe I am not the right person to grapple with all the existential questions of faith and culture that the multidisciplinary artist and political experimentalist Abdullah Miniawy grapples with on his latest album, Nigma Enigma. The record is equal parts Arabic chant, folk music, and sound art, based on modular synths and field recordings. The Egyptian composer uses the album’s eleven abstractions as the soundtrack to what he himself calls »an Arabic opera of doubt and faith«. But as a non-Arab, lifelong atheist, it is difficult for this reviewer to fully engage with the big questions Miniawy poses in his mother tongue, while samples of crackling fires and layers of filtering create an otherwise enigmatic atmosphere that resonates well with the album’s title. As the music also functions as the soundtrack to an immersive video game, we are taken even further from familiar territory, given that the reviewer has not touched such things since Quakein 1992.

If one sets aside the search for meaning and allows oneself to be colored by the music’s immediacy, what emerges is a strongly conceptual, sonically accomplished work, in which Miniawy’s voice – most often chanting Arabic phrases from old folk songs – is interwoven with electronic noise. In particular, the transition from the beautiful two-part chanting on »Jayhano Al Kawahi« – with strong religious undertones – to the deeply anarchic noise vignette »Half a Year II«, featuring filtered sine tones and pounding bursts of bass noise, serves as an apt characterization of a minimalist piece of sound art.

Yet without being able to share Miniawy’s cultural and spiritual context, the album feels like a riddle I cannot solve. Like drinking an Irish coffee without the whiskey: the real praise is withheld. Nigma Enigma will speak to those who can relate to the spiritual and philosophical questions Miniawy raises, while others may experience it as a musical journey without fully understanding its destination.

English translation: Andreo Michaelo Mielczarek

playlist

06.10

We are Late Runner – would you like to see our playlist?

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music:

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'.

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

news

04.10

Björk takes over Polish marketplace today for secret festival finale

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.

playlist

03.10

My name is Andreo Michaelo Mielczarek – would you like to see my playlist?

»Recently, I discovered that when a couple of thousand people clap their thick gloves in minus 30 degrees, it sounds like the softest techno – a freezing space where the cold air turns into a wave of warmth, and we, in a moment of collective devotion, become one with the rhythm, one with the invisible bond that connects us in the warmth of silence. Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.«

Andreo Michaelo Mielczarek has been the editor-in-chief of Seismograf since 2021. He is also a music critic and cultural journalist at Kristeligt Dagblad and Århus Stiftstidende/Avisen Danmark and has over the years written to publications such as Kunsten.nu, Glissando (Poland), Neural (Italy), Raw Vision (UK), Nutida Musik (Sweden), Kunstkritikk (DK/Sweden), Iscene.dk, B.T., and Jazz Special. He is the author (together with Lars Muhl) of the book HVA' SAA! En guidet rutsjebanetur gennem Aarhus – før, nu og i fremtiden (2024) and has also contributed to the anthology on music criticism Man skal høre meget (ed. Thomas Michelsen and Claus Røllum-Larsen, 2024). He is a founder and partner in the Polish-Danish cultural organization Kultur(a), and wherever there is a piano, he will be there, eager to coax a melody from it.

playlist

02.10

My name is Aria Leth Schütze – would you like to see my playlist?

»For me, music is an opportunity for transformation.«

Aria Leth Schütze is based in Copenhagen and is the creative force behind the music projects Alto Aria and Samler På Dig. They are a co-founder of the record label Rhizome and a co-editor of the music magazine Passive/Aggressive. Their practice brings together electronic and acoustic music in an exploration of transformation.

playlist

02.10

My name is Mikkel Krause Frantzen – would you like to see my playlist?

»For me, music is the art form that – if measured in hours and minutes – occupies by far the greatest part of my life. I cannot sing, nor can I play an instrument, but I can listen – as a happy amateur – while cycling, on the dance floor, and, above all, at the office. I almost always work – that is, write – to music.«

Mikkel Krause Frantzen (b. 1983) is an associate professor at the Department of Arts and Cultural Studies, a literary critic for Politiken, and the author of several books in English and Danish, such as En fremtid uden Fremtid (2018), Klodens Fald (2021), and Slutspil (2024).