»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«
Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.
Songs That Would Rather Be Lieder
»Your eyes are in reality luminous tunnels to another reality.« So goes one of the key lines in the opening song of Bent Sørensen’s song cycle Popsange, inspired by texts by Michael Strunge. It sets the tone and points toward the recurring lyrical themes: all-consuming love, the shared journey toward another place – and the eyes, always the eyes, appearing in almost every single song.
Mathias Monrad Møller sings with great sensitivity, bringing the text to life, and his interplay with Linda Dahl Laursen is strong. Yet Popsange has much more in common with lieder than with actual songs – not least because of the text’s at times highly poetic language. The tender, almost naïve voice of the lyrics receives its most convincing counterpoint from the piano, as in »Illusion«, where it first follows and supports the words, only to break out into rapid, dissonant chords that interrupt and almost mock the singer.
Still, traces of pop music can be found here and there. »Tid og rum« builds on repetitions with small variations, much like the verses of a pop song. And in »Hjertestrøm«, Møller colors his voice with a timbre that could easily fit on a pop album – not least because the piano here is delicate and playful, giving the voice more freedom.
All in all, Popsange is a pleasant listening experience, but I miss the presence of David Bowie and Lou Reed on the musical front. The work is at its most innovative where it dares to embrace pop. Imagine if the texts had been carried by actual verses, hooks, and choruses – elements that might have turned them into true earworms.
English translation: Andreo Michaelo Mielczarek
»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«
Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.