in briefrelease
28.05

A Violinist with Fire in His Bow

Darragh Morgan, Ulster Orchestra & David Brophy: »Spin – New music for Violin & Orchestra from Northern Ireland«
© Brian Morrison
© Brian Morrison

There is nothing quite like true enthusiasts. They champion composers and works that might otherwise have remained dormant. Here we have the exuberant violinist Darragh Morgan, who since the age of fifteen (!) has promoted and performed contemporary music. He knows what works and has a keen instinct for new pieces and composers – especially on this album with the not exactly catchy title Spin – New Music for Violin & Orchestra from Northern Ireland. Four relatively recent violin concertos, all centred around Morgan as soloist. Two of them are dedicated to the musical firebrand himself.

There is fire in Brian Irvine’s violin concerto À mon seul désir from the very beginning, where sparkling motifs and riffs erupt everywhere. Almost too much energy and activity – but it works, and all the fierce gestures are carefully balanced. The movement is titled »With a big life embracing energy«. Concrete and descriptive – the Irish leave the grand spheres of abstraction to the contemporary music scene in Central Europe. I have replayed the dramatic climax of the second movement several times out of sheer enthusiasm, and the entire concerto (which lasts only fifteen minutes) ends with angelic beauty on Morgan’s highest, finest strings.

Ryan Molloy’s three-movement violin concerto, stretching beyond twenty minutes, by contrast tends to drift somewhat aimlessly, although the final movement reaches a strong level. Bill Campbell’s Swim is unmistakably Irish in tone throughout, conjuring images of rolling fields and the proud Irish landscape. Midway through the quarter-hour work, Darragh Morgan delivers a heartfelt and expansive solo cadenza. 

Fortunately, Frank Lyons’s Spin 3 is also a small gem, leaving the listener uplifted by this new Northern Irish music performed by the Ulster Orchestra and the fascinating Darragh Morgan, whose deep personal dedication gives so much to the music.

English translation: Andreo Michaelo Mielczarek

 

© Lou Mouw

»For me, music is a non-figurative process that cannot be definitively categorised.«

Kristoffer Raasted graduated as a visual artist from the Media School at the Royal Danish Academy of Fine Arts in 2018 and is currently completing a PhD in practice-based and artistic research. Raasted has been an artist in residence at the Danish Institute in Rome and a visiting researcher at UdK Sound Studies in Berlin as part of his PhD.

© Iain Forbes

»When I search for new music, I search for sound that evokes images in my mind. It is fuel, a gateway to emotion, and my most important writing companion. When inspiration lapses, music is the tool that always jumpstarts it.«

Iain Forbes is a Scottish/Norwegian film director based in Oslo. He has studied film directing at Nordland College of Art and Film and the Norwegian Film School. His graduation film Revisited won a Student Academy Award in 2023. He has previously directed short films such as Snowman (2015) and Semper Fi (2017). His latest short After Dark won Best International Short Film at the Oscar-qualifying Foyle Film Festival in 2024

Nikolaj Nørlund. © Agnete Schlichtkrull

»Music, to me, is a companion through life, a premise, an excuse, a mystery, an explanation, a point of departure. It is old ideas, overlooked treasure chests, new angles, long concerts, doubt and conviction. It is words, tones, cracked voices, different points of departure, bass in the diaphragm, falsetto in the hair, challenges, rewards, and love.«

Nikolaj Nørlund made his solo debut with Navnløs (1996), an interpretation of poems by Michael Strunge, and released Nye Optagelser (1997) the following year, his first Danish-language singer-songwriter album. He has since worked broadly across music and poetry and is behind around 20 releases, both solo and in various band constellations. Nørlund’s projects range from collaborations with Copenhagen Phil on two orchestral albums, created together with author Naja Marie Aidt. His most recent release is the single »Englenes Park (nu ikke saa dark)«, the forerunner to the album Himlen skiftet ud, due for release at the end of November. In addition to his own work, Nørlund has, through the record label Auditorium, produced and released a number of Danish artists, including Niels Skousen, Ulige Numre, Jens Unmack, I Got You On Tape, and Martin Ryum. He was previously a member of Trains And Boats And Planes and periodically works with the English-language project Rhonda Harris. Nørlund has received a Danish Music Award (2003) and a Steppeulv (2006), both as Producer of the Year, as well as the Niels Mathiassen Cultural Award (2012).

© Mari Liis

»Music and sound for me is a language, the most present and fleeting one. It’s something that passes through your heart and becomes the past in a second. Music amplifies every emotion, love, happiness, anger, sadness a thousand times over, making me feel everything more deeply and sensitively.«

Sophia Sagaradze is a sound artist, composer, and performer from Georgia, based in Denmark. She experiments with space, multichannel electronics and audio-visual installations. Sagaradze is interested in creating works that explore the boundary between external and internal experiences of space. She holds a bachelor’s degree in classical composition from Tbilisi State Conservatory and a master’s degree in electronic composition from DIEM Royal Academy of Music, Aarhus/Aalborg. In 2022, she received the Carl Nielsen and Anne Marie Carl-Nielsen Foundation’s Talent Award in Composition. Sagaradze has performed in several countries, received commissioned works for ensembles, performed live and created audio-visual installations. She is a founder and artistic director of Aarhus Sound Association (Aarhus Lydforening), Project leader at ROSA  and a lecturer at the Royal Academy of Music, Aarhus/Aalborg.

»Like all art, music is a language for emotions, dreams, and the search for meaning—but for us it is just as crucial that music is a path to community.«

Girls in Airports is a Danish instrumental band with a palette that draws in particular on jazz, electronic music, and sounds from distant horizons. Since their debut album in 2010, they have created a sonic universe in which saxophones, synths, and pulsating grooves meet in a collective and dreamlike expression. Recently, the band has focused on artistic collaborations with, among others, Teitur and Aarhus Jazz Orchestra, and they are now on their way with a new album created in collaboration with the string trio Halvcirkel.