»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«
Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.
Voices From a Bygone Era
While Sofie Birch and Antonina Nowacka’s joint debut album Languoria, with its synth-laden sound, felt like a dream of another world, their second album comes across more as a window into a bygone time. The electronic elements have stepped into the background in favour of acoustic timbres from sitar, guitar and harp, lending the music a warmer, more grounded character. A fine example is the title track, where a gently trickling stream forms a backdrop for a relaxed dialogue between sitar, guitar and voices that shift between singing and humming. There’s a clear connection to the simple melodies of folk music and those little fragments one might find oneself humming in the kitchen while the kettle boils. It is precisely this personal and inviting tone that makes the composition so effective. The track »Nøkken« likewise testifies to the strength of Birch and Nowacka’s songwriting. With its sparse instrumentation, gentle melody and carefully balanced reverb, the piece brings out the best in their voices and appears almost weightless – transparent and ephemeral.
Together, the Danish-Polish duo create music for those who dream of another time and place – not because they necessarily wish to escape their present reality, but because the quiet moments of daydreaming are full of calm, comfort and enchantment. At times, however, the sense of security takes over slightly, and one misses something to challenge the stillness – like the more prominent synths did on their debut. But for those in the mood for unpretentious beauty and quiet reverie, Hiraeth remains a strong release from two continually compelling voices in the ambient genre.
English translation: Andreo Michaelo Mielczarek
»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«
Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.