in briefrelease
13.03

When Joik Meets Drill

Zak Norman & Charlie Miller: »Takkuuk«
© PR
© PR

The Greenlandic word Takkuuk means »attention«, and it is the slightly ironic title of one of the more chaotic projects at this year’s CPH:DOX. The film is a collaboration between visual artist Zak Norman, film director Charlie Miller, and the Belfast-based electronic duo BICEP, and it also features seven musicians from Kalaallit Nunaat and Sápmi. In other words, a multitude of voices and agendas are at play, and the project clearly bears the marks of that.

The process leading up to the film sounds more interesting than the work itself. Norman and Miller travelled around the Arctic, seeking out musicians and researchers while filming glaciers and ice. The film’s seven young musicians then entered the studio with BICEP to create a shared soundtrack: a kind of club-oriented remix of seven very different practices, ranging from drill and heavy metal to joik, throat singing and drum dance. It might have been fascinating to follow those encounters, but instead the film takes us in another direction.

The editing shifts between a documentary strand of interviews and a surreal music-video aesthetic, where specially built cameras pan across the surface of the ice, bathing it in coloured filters referencing the northern lights and club lighting. In the interview track, the participants are allowed to steer the conversation themselves, which sends it in many directions. We touch on the spiritual undertones of traditional musical expressions, and here one would have liked the film to linger longer. One intriguing sequence explains how drum dance relates to the performer’s heartbeat, and how that rhythm is almost the same as the pulse of drill. More of that, please.

In a subsequent talk, the filmmakers explained that the work was originally produced as an audiovisual installation for five screens. That makes sense and might have worked better. Considered as a documentary film, Takkuuk is fragmentary, chaotic and directionless, which is a shame, because the young musicians seem to have much more to offer.

»Takkuuk«, Zak Norman & Charlie Miller (UK), 2025 (67 min). Screenings: 12, 17 and 19 March

© Meseguer

»To us, music is the definitive companion. As listeners, it fosters a sense of communion, bridging the gap between souls through the shared experience of sound. As creators, however, music confronts us with our own inner void, that profound solitude that nourishes the creative spirit. At the same time, it dares us to leap into the unknown to decipher the ineffable. Music anchors us to the present moment, to the 'now' shared with a live audience; yet, it also touches the eternal.«

L'arannà is an electronic folk duo. With their last project, Turmarí, the duo dives deep into the folk music traditions of the Pityusic Islands, offering – through their blend of sound exploration– a perspective on Ibiza and Formentera. Synthesizers and keyboards share the stage with traditional instruments and aesthetics inspired by the ancestral ball pagès dance. Reviving cant redoblat (a unique form of singing from these islands preserved by fewer than twenty people) the group weaves a narrative that traces the roots and lived reality of two islands that are far more than just a dreamt-of paradise. The band will be touring around Denmark and Sweden, from 27th to 31th of May, playing at venues like Turkis, Dexter, Inkonst or ALICE.

© Ana Alexandrino

»Music to me is movement, trance, transformation. The rest I won't tell you.«

Marcela Lucatelli is a vocalist and composer. Born in Brazil and based in Denmark, she has gained international recognition for her boundary-pushing performances — sensuous, politically charged, and uncompromisingly original. Described by The Wire as a composer of »scores for the limits of bodies and voice,« Lucatelli challenges conventions with her fearless vocal experimentation and bold compositions. Her works have been performed by Danish National Symphony Orchestra, Danish National Vocal Ensemble, and Neue Vocalsolisten Stuttgart. She has appeared at major festivals and venues, including Theatro Municipal de São Paulo, DR Koncerthuset, Donaueschinger Musiktage, Darmstadt Ferienkurse, IRCAM, Copenhagen Opera Festival, Ultima Festival, Borealis Festival, Copenhagen Jazz Festival, Jazzfestival Saalfelden, Cafe Oto, A L’ARME!, DMA Jazz – Danish Music Awards, WOMEX, and many more. Lucatelli's work has earned her several prestigious awards, including the Carl Nielsen and Anne Marie Carl-Nielsen Talent Prize (2019), Pelle Prize (2021), and the Danish Music Awards' 2023 Vocal Jazz Release of the Year, which shows that vocal jazz has many faces – and does not necessarily belong only to the soft end of the spectrum.

© PR

»What is music to me? Here’s a quote from Nietzsche: ‘The people dancing all seemed crazy to the people who couldn’t hear the music.’«

Salim Washington is a saxophonist, multi-instrumentalist, composer, academic, and activist from Detroit who has been highly active on the American jazz scene since the 1970s, and also in South Africa, where he became a central figure. The spirit of John Coltrane hovers over his music, which carries both spiritual and social dimensions.

© Aske Jørgensen

»Music for us is the perfect language that we love to speak. A language where it is the individual's feelings and imagination that determine what is right and wrong. Everyone can speak the language. You don't have to be able to write or understand, but just listen. Some music requires that you listen carefully and maybe hear it several times. A bit like when you talk to someone from Norway or Sweden, you also have to listen a little extra.«

DØGNKIOSK is a Danish punk rock band with roots in Silkeborg. The band consists of bassist and singer Anders Ejner, who has been active on the Danish underground scene for several decades. Musically, DØGNKIOSK moves in a field between classic Danish punk and alternative rock. In the spring of 2026, the band will release their second album, Tæt på kanten.

© Bastian Zimmermann
© Bastian Zimmermann

It is difficult to comprehend that Andreas Engström is no longer with us. Just a couple of months ago, he wrote – as he had done so many times before – with an ambitious proposal: he wanted to review a box set of twenty releases by Dror Feiler. In the same message, he mentioned plans to come to Aarhus for the recently concluded Spor Festival.