When Louise Beck presented her first opera at Copenhagen Opera Festival in 2022, the audience was asked to bring ski wear and thermal suits. Den Sidste Olie (The Last Oil), about the colonisation of Greenland and the exploitation of nature, unfolded on the ice at Østerbro Skøjtehal. It marked the beginning of a fruitful collaboration on newly written works that expand the frames and spaces of opera. Now that collaboration enters a new phase: from 1 September, Louise Beck will become the festival’s new artistic director.
Louise Beck is a scenographer, director and artistic director of the opera platform OPE-N (formerly OperaNord). For nearly three decades, she has worked to develop opera as a vibrant and contemporary art form – in site-specific formats and in dialogue with the repertoire. She has also made a clear mark in the debate on opera’s development conditions and sustainable structures.
»Over the years, I have followed Copenhagen Opera Festival’s tremendous efforts to make opera more accessible and to enchant an entire city with the art form’s stardust. Opera is an all-embracing and untamed art form that can include and move us all – and the festival has recognised this perfectly. Today, it is an indispensable platform where tradition and innovation, opera lovers and entirely new audiences meet. I look forward to helping strengthen and expand this dynamic platform,« says Louise Beck.
She intends to further develop the festival’s role as a key piece of infrastructure within Denmark’s opera ecosystem, where opera houses, the independent scene and new voices come together in committed collaborations – both during the festival and throughout the year.
»In Denmark, there is an enormous pool of talent and a wealth of both experienced and groundbreaking artists who are able and eager to develop the opera genre within the independent scene. Their creative drive and visions are absolutely crucial to the opera ecosystem, and with targeted support from Copenhagen Opera Festival, this strong field will be able to reach audiences across the country and help place Denmark on the international opera map,« says Louise Beck.
Beck succeeds Amy Lane and will take up the position on 1 September.
Copenhagen Opera Festival 2026 will take place 13–23 August in Copenhagen.
Finnish Space Travel
The Finnish multimedia artist Jan Anderzén has, with the album Hoshi, released under the solo moniker Tomutonttu, created a true little star. Not only because »hoshi« literally means »star« in Japanese, but above all due to the music itself. There is something cosmic, yet infinitely minute, about the sonic worlds Anderzén conjures—like a galaxy reflected in a puddle, or a space journey in a rocket carved from a hollow tree trunk. Synths emit busy, warm blips and bloops, while ultra-short vocal and instrumental samples create a recognizable blur. At once artificial and organic – soft, rounded, jagged, crackling.
Anderzén approaches sound with a playfulness I simply adore. His music is strange in an incredibly comforting way. It places me in a kind of colorful, trance-like state, only interrupted when, several times over the course of the album, I find myself smiling in delight at a particularly great sound. The synths on »Katse osuu sähköön!« The choral samples on »Kesä oli äkkiä ohi!« Milo Linnovaara’s flute on »Malta lausua ‘AH’!« And many more. Hoshi is an album packed with microscopic moments that together form a frayed, exploding, radiant, idiosyncratic whole—a stellar moment of just under 38 minutes.