in brief

09.02.2022

Trentemøllers tryllestøv

Trentemøller: »Memoriam«

Den danske Godfather af moderne elektronisk musik er ude med et formidabelt album – alt er skrevet og produceret af ham selv og partneren Lisbet Fritze, som optræder med sin angeliske og uimodståelige vokal. Ligesom Buster Oregon Mortensen (Busters Verden, red.) kan Trentemøller noget andre ikke kan, han har nemlig lært at trylle og med magiske formularer og tryllestøv har han skabt 14 skarptslebne skæringer.

Trentemøller mikser atter bastunge beats med svævende lethed og leger med grænserne for, hvordan han med uortodokse midler både kan skabe genklang hos et bredere publikum og samtidig dupere musiknørder verden over. Lytteren kommer med på indre rejser gennem alt fra »Glow«, der inviterer til clubbing med Autecre, »No More Kissing in the Rain«, som er en Trente-elektronisk fortolkning af indiepop a la Raveonettes samt en goth-industrial portal til den legendariske film Spawn: Nummeret »Dead or Alive«. Twin Peaks-mysticisme skinner igennem på »In the Gloaming«, imens man med »Drifting Star« drømmer sig væk i evige solnedgange.

Memoriams eklektiske tidløshed gør, at den på ingen måder er trendy men derimod langtidsholdbar og ville fungere forrygende som soundtrack til en film, TV-serie eller spil. Der er noget til Generation X, hipsterne, Jomfru Ane Gade og kosmopolernes natteravne. Uden tvivl en udgivelse, som vil vinde indpas i mangen en vinylsamling, være baggrundstæppe på tjekkede kaffebarer og gøre sit indtog på mixerpulte i underjordiske natklubber.

playlist

07.04

We are DØGNKIOSK – would you like to see our playlist?

»Music for us is the perfect language that we love to speak. A language where it is the individual's feelings and imagination that determine what is right and wrong. Everyone can speak the language. You don't have to be able to write or understand, but just listen. Some music requires that you listen carefully and maybe hear it several times. A bit like when you talk to someone from Norway or Sweden, you also have to listen a little extra.«

DØGNKIOSK is a Danish punk band consisting of four middle-aged musicians with roots in the Central Jutland underground. The band plays a raw and energetic form of punk, where a naked and explosive sound is accompanied by lyrics that are significantly prominent in the soundscape. Their expression is inspired by 1980s punk and characterized by a punk poetic approach, delivered with a clear dialect. In April, DØGNKIOSK will release the album Tæt på kanten. The band's music generally revolves around challenging fixed patterns and insisting on personal freedom.

in brieflive

07.04

PowerPoint Against the Dark

Laurie Anderson with Sexmob: »Republic of Love«

DR Koncerthuset, 05.04

Martin Funder

With her characteristic curiosity, Laurie Anderson opened Sunday’s concert in DR’s concert hall with a political statement and the remark, »Thank you for your attention to this matter.« The theme of the evening was a heavy political climate, to which Anderson – like a professor emerita of the avant-garde – offered a musical framing narrative of music, slideshow, and quotes from thinkers and artists who, each in their own way, nuance an increasingly dark world. A framework in which every piece of music had a clear purpose: to evaporate any residue of convention.

Slide by slide, the audience was guided through curious glimpses of the totalitarian and the conventional. The long list of words deleted from government documents by the Trump administration, for instance, served as an introduction to »Language Is a Virus«, inspired by writer William Burroughs, who also appeared on the screen behind Anderson and the band Sexmob. So did Lou Reed, Anderson’s late husband. Dressed in a glittering jacket that, like a kind of magical Kraftwerk, triggered sounds of drums, foghorns, and cash registers, Anderson shared the couple’s three life lessons while playfully dancing and narrating.

I don’t think I’ve ever attended a concert where the entire production team – both on and off stage – was credited with rolling end titles. Yet it felt like a completely natural conclusion to Anderson’s slightly dry and remarkably hopeful PowerPoint concert. A performance that, as a delightfully deconstructive reminder, united the experimental and the concrete in a hands-on first aid kit against tyranny and oppression.

playlist

06.04

My name is Håkon Berre – would you like to see my playlist?

»Music for me is a world full of sound that you can explore, juggle with, systematize, be inspired by and form a starting point for meetings between people across cultures and generations.«

Håkon Berre (b. 1980) has made his mark as a central figure on the Danish improvised music scene. His practice is characterized by an expanded approach to percussion, where both traditional instruments and everyday objects – such as doorbells, tin plates, chains and kitchen utensils – are included in a nuanced and often unpredictable sonic expression. He has performed at clubs and festivals internationally and collaborated with a wide range of notable musicians, including Peter Brötzmann, Phil Minton, Axel Dörner, John Tchicai, Jamie Branch and Otomo Yoshihide. Berre contributes to an extensive discography with more than 40 releases, many of which on the artist-run label Barefoot Records, which he co-founded. He has also composed and arranged music for theatre and exhibitions, and worked on interactive sound installations shown in museums in Denmark and Germany. He is active in a number of ensembles and collaborations, including Ytterlandet, TEETH, VÍÍK and Mirror Matter, as well as in various duo and quartet constellations.

playlist

03.04

My name is James Black – would you like to see my playlist?

»Music is a deep, but not serious, spiritual practice, in which creator, collaborator, and consumer alike are their own personal pope.«

James Black (b. 1990) is a composer, performer, and artistic director of Klang Festival – Copenhagen Experimental Music. Originally from Bristol, England, they moved to Copenhagen in 2013. Black's works have attracted a large amount of attention both nationally and internationally for their signature combination of artistic courage and vulnerability, described by the Danish Arts Council as »a universe of real madness where everything goes«. Their work is a deep and personal exploration of topics such as religion, loss, and queer identity, that is unafraid to be stupid or serious in any direction.

playlist

02.04

My name is Christian Juncker – would you like to see my playlist?

»Music is just something for me.«

Christian Juncker is a Danish musician and songwriter who has released a number of Danish-language albums. He debuted in 1995 with the band Bloom. Together with his friend Jakob Groth Bastiansen, he formed the duo Juncker in 2002. He is also behind the Christmas carol »Luk julefreden ind« from 2024.