in brief
04.09.2022

Lyden af tiden, der rinder ud

Signe Klejs & Christian Windfeld: »Tilflugt«
© Mikkel Kaldal
© Mikkel Kaldal

Centralt i Radars mørklagte rum, omkranset af en ring af højttalere – et såkaldt akusmonium – står fem bækkener oplyst i violet. Som fra et timeglas i loftet daler en sagte strøm af sand, der knitrende rammer bækkenerne, og modsvares af en rungende, lavfrekvent, metallisk dronende gong fra de omkringstående højttalere. Udspændt mellem det tidløse og det flygtige møder sand metal; knitren som eroderende regn og fygende sand, buldren, som jordskorpens tektonik eller havets rasen. Det er saktralt, langsommeligt, nærmest kosmisk: Lyden af tiden, der rinder ud.

Bag Tilflugt står billedkunstner Signe Klejs og trommetæmmer Christian Windfeld. Klejs har i en årrække arbejdet med sandets flygtige natur, og Windfelds eksperimentale tilgang til slagtøjets materialitet og klangmæssige potentialer er et både frugtbart og originalt match.

Der er dog ingen tvivl om, at værket først for alvor folder sig ud, hvis man tager turen til Thy, hvor den anden halvdel af installationen udfolder sig i kunstbunkeren Regelbau 411. Dén oplevelse er det desværre langtfra alle besøgende på Radar undt, og det er en skam, for det er først i samspillet mellem de to lokaliteter, hvor lydlige og visuelle spejlinger og ekkoer resonerer på tværs af tid og sted, at udstillingens egentlige tematik åbenbarer sig for publikum. Uden denne oplevelse efterlades den gennemsnitlige besøgende i Aarhus lidt uforløst med den ledsagende introduktionstekst.

Når det så er sagt, udgør installationen på Radar isoleret set stadig et velfungerende moment of zen, og absolut blandt de mere interessante og poetiske indslag i Aarhus lige nu.

© PR

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music: 

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'. 

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

© PR
© PR

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.

© Kåre Viemose

»Recently, I discovered that when a couple of thousand people clap their thick gloves in minus 30 degrees, it sounds like the softest techno – a freezing space where the cold air turns into a wave of warmth, and we, in a moment of collective devotion, become one with the rhythm, one with the invisible bond that connects us in the warmth of silence. Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.«

Andreo Michaelo Mielczarek has been the editor-in-chief of Seismograf since 2021. He is also a music critic and cultural journalist at Kristeligt Dagblad and Århus Stiftstidende/Avisen Danmark and has over the years written to publications such as Kunsten.nu, Glissando (Poland), Neural (Italy), Raw Vision (UK), Nutida Musik (Sweden), Kunstkritikk (DK/Sweden), Iscene.dk, B.T., and Jazz Special. He is the author (together with Lars Muhl) of the book HVA' SAA! En guidet rutsjebanetur gennem Aarhus – før, nu og i fremtiden (2024) and has also contributed to the anthology on music criticism Man skal høre meget (ed. Thomas Michelsen and Claus Røllum-Larsen, 2024). He is a founder and partner in the Polish-Danish cultural organization Kultur(a), and wherever there is a piano, he will be there, eager to coax a melody from it.

© Aria Leth Schütze

»For me, music is an opportunity for transformation.«

Aria Leth Schütze is based in Copenhagen and is the creative force behind the music projects Alto Aria and Samler På Dig. They are a co-founder of the record label Rhizome and a co-editor of the music magazine Passive/Aggressive. Their practice brings together electronic and acoustic music in an exploration of transformation.
 

© PR

»For me, music is the art form that – if measured in hours and minutes – occupies by far the greatest part of my life. I cannot sing, nor can I play an instrument, but I can listen – as a happy amateur – while cycling, on the dance floor, and, above all, at the office. I almost always work – that is, write – to music.« 

Mikkel Krause Frantzen (b. 1983) is an associate professor at the Department of Arts and Cultural Studies, a literary critic for Politiken, and the author of several books in English and Danish, such as En fremtid uden Fremtid (2018), Klodens Fald (2021), and Slutspil (2024).