in brief
14.11.2022

Bas med bobler

Anne Efternøler: »Anne Efternøler & Lige Børn«
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Med en kvartet bestående af den danske trompetist og komponist Anne Efternøler og amerikanske Thomas Morgan, danske Anders »AC« Christensen og dansk/færøsk/islandske Richard Andersson på hhv. kontrabas, mere kontrabas og endnu mere kontrabas kunne man med god grund forvente en veritabel overflod af basgange og krøllede kompositioner. 

Desværre er det ikke altid, at de høje forventninger bliver indfriet. Bedst fungerer albummet, når Efternølers trompet spiller mere konventionelle melodier over de tre bassisters vuggende, vaklende rytmik, som fx på »Forskudt« og »P for poet.« Det vil altid være en glæde at lytte til de bløde basbunde blive skåret igennem af en støvet trompet. Men ofte føles det, som om potentialet i at have tre velrenommerede kontrabassister på spillelisten i varierende grad bliver spildt. I særdeleshed i de numre med mindre melodisk kontekst, hvor bassisterne ofte ender med at spille så ensartet, at man har svært ved at høre, at der vitterligt skulle være tre af dem. Der spilles meget af det samme, men samspillet udebliver.

I de mere melodisk forankrede numre har strygerne mere mulighed for at differentiere sig, og det er her, at alle fire musikere kommer til deres ret. Her bobler og svæver både plukkede og strøgne strenge under en trompet så skiftevis hyggelig og melankolsk som de efterårsdage, vi oplever i skrivende stund. Anna Efternølers debut som kapelmester er således en udgivelse, der eksemplificerer både de indfriede og uindfriede muligheder i det utraditionelle.

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»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music: 

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'. 

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

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It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.

© Kåre Viemose

»Recently, I discovered that when a couple of thousand people clap their thick gloves in minus 30 degrees, it sounds like the softest techno – a freezing space where the cold air turns into a wave of warmth, and we, in a moment of collective devotion, become one with the rhythm, one with the invisible bond that connects us in the warmth of silence. Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.«

Andreo Michaelo Mielczarek has been the editor-in-chief of Seismograf since 2021. He is also a music critic and cultural journalist at Kristeligt Dagblad and Århus Stiftstidende/Avisen Danmark and has over the years written to publications such as Kunsten.nu, Glissando (Poland), Neural (Italy), Raw Vision (UK), Nutida Musik (Sweden), Kunstkritikk (DK/Sweden), Iscene.dk, B.T., and Jazz Special. He is the author (together with Lars Muhl) of the book HVA' SAA! En guidet rutsjebanetur gennem Aarhus – før, nu og i fremtiden (2024) and has also contributed to the anthology on music criticism Man skal høre meget (ed. Thomas Michelsen and Claus Røllum-Larsen, 2024). He is a founder and partner in the Polish-Danish cultural organization Kultur(a), and wherever there is a piano, he will be there, eager to coax a melody from it.

© Aria Leth Schütze

»For me, music is an opportunity for transformation.«

Aria Leth Schütze is based in Copenhagen and is the creative force behind the music projects Alto Aria and Samler På Dig. They are a co-founder of the record label Rhizome and a co-editor of the music magazine Passive/Aggressive. Their practice brings together electronic and acoustic music in an exploration of transformation.
 

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»For me, music is the art form that – if measured in hours and minutes – occupies by far the greatest part of my life. I cannot sing, nor can I play an instrument, but I can listen – as a happy amateur – while cycling, on the dance floor, and, above all, at the office. I almost always work – that is, write – to music.« 

Mikkel Krause Frantzen (b. 1983) is an associate professor at the Department of Arts and Cultural Studies, a literary critic for Politiken, and the author of several books in English and Danish, such as En fremtid uden Fremtid (2018), Klodens Fald (2021), and Slutspil (2024).