Chok – klassisk trænet komponist skrev noder

Else Marie Pade: »The Orchestral Album«

Sune Anderberg. © Alexander Banck-Petersen

Hvem skulle have troet det om Else Marie Pade: Komponisten, der blev undervist af Vagn Holmboe, Leif Kayser og Jan Maegaard, skrev ikke kun elektronisk, men også klassisk musik. At kalde indspilningen her en sensation, som Dacapo gør, er en underdrivelse. Det er regulær verdenshistorie. Ryd forsiden!

I sine liner notes opfordrer Henrik Marstal alle danske orkestre til at opføre musikken, og det må de da gerne gøre. I så fald helst de otte korte etuder fra 1965, for her lyder og er Pade mest moden; med genfærdstoner og indespærret atonalitet skaber hun en alarmistisk stemning, som sætter sig i lytteren.

Det er dog det eneste af de fire værker, jeg har lyst til at genhøre. Suiten for kammerorkester fra 1953 er rig på Holmboe’sk mørke, på dramatiske ideer og på temperamenter, men overbeviser ikke. Heller ikke selvom Malmö Operaorkester går dedikeret til værks.

Suitens arkaiske stil virker hende helt fremmed, men skinner også igennem i trompetkoncerten fra 1954. Her er trompeten i dialog med en marchtromme, og man aner så småt det humør og talent, Pade uomtvisteligt besad. Musikken virker dog rudimentær og usammenhængende.

Der er langt fra disse skriveøvelser til den strenghed, hun demonstrerer i sine fragmentariske Parametre I-III fra 1962. De er til gengæld en tør omgang. Jeg holder mig til etuderne.

Kunne Else Marie Pade være blevet en stor symfoniker? Garanteret. Var hun det? Det mener Dacapo, så det må vi hellere rette os efter. Hil Else Marie Pade, komponisten, der skrev noder!

playlist

06.10

We are Late Runner – would you like to see our playlist?

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music:

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'.

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

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Björk takes over Polish marketplace today for secret festival finale

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.

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03.10

My name is Andreo Michaelo Mielczarek – would you like to see my playlist?

»Recently, I discovered that when a couple of thousand people clap their thick gloves in minus 30 degrees, it sounds like the softest techno – a freezing space where the cold air turns into a wave of warmth, and we, in a moment of collective devotion, become one with the rhythm, one with the invisible bond that connects us in the warmth of silence. Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.«

Andreo Michaelo Mielczarek has been the editor-in-chief of Seismograf since 2021. He is also a music critic and cultural journalist at Kristeligt Dagblad and Århus Stiftstidende/Avisen Danmark and has over the years written to publications such as Kunsten.nu, Glissando (Poland), Neural (Italy), Raw Vision (UK), Nutida Musik (Sweden), Kunstkritikk (DK/Sweden), Iscene.dk, B.T., and Jazz Special. He is the author (together with Lars Muhl) of the book HVA' SAA! En guidet rutsjebanetur gennem Aarhus – før, nu og i fremtiden (2024) and has also contributed to the anthology on music criticism Man skal høre meget (ed. Thomas Michelsen and Claus Røllum-Larsen, 2024). He is a founder and partner in the Polish-Danish cultural organization Kultur(a), and wherever there is a piano, he will be there, eager to coax a melody from it.

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My name is Aria Leth Schütze – would you like to see my playlist?

»For me, music is an opportunity for transformation.«

Aria Leth Schütze is based in Copenhagen and is the creative force behind the music projects Alto Aria and Samler På Dig. They are a co-founder of the record label Rhizome and a co-editor of the music magazine Passive/Aggressive. Their practice brings together electronic and acoustic music in an exploration of transformation.

playlist

02.10

My name is Mikkel Krause Frantzen – would you like to see my playlist?

»For me, music is the art form that – if measured in hours and minutes – occupies by far the greatest part of my life. I cannot sing, nor can I play an instrument, but I can listen – as a happy amateur – while cycling, on the dance floor, and, above all, at the office. I almost always work – that is, write – to music.«

Mikkel Krause Frantzen (b. 1983) is an associate professor at the Department of Arts and Cultural Studies, a literary critic for Politiken, and the author of several books in English and Danish, such as En fremtid uden Fremtid (2018), Klodens Fald (2021), and Slutspil (2024).