in brief
13.02.2023

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Carsten Dahl: »The Sadness Will Last Forever«
© Jesper Egelund
© Jesper Egelund

Til at få øje på var bevægelsen fra mørke til lys, da Copenhagen Phil i kammeropstilling forleden uropførte Carsten Dahls let uortodokse, men intimt transparente koncert for to klaverer, van Gogh-overvejelsen The Sadness Will Last Forever (2022).

Først: en smeltet stenmasse af kontrafagot, basklarinet, pauke, kontrabasser og dybe anslag i de to flygler. Sidst: en hvislende vanddamp af let dissonerende violintåge og piblende tangentspil. Derimellem: glasklare solistmotiver, alvorsramte linjer på kanten af det atonale, marcherende slagtøj, unisone flugtløb og, endelig, kontrapunktisk forsoning mellem Martin Qvist Hansen og Søren Rastogi i tålmodig bevægelse tone-mod-tone.

Tydeligt var det, at Dahl var ude i et dramatisk, men samtidig apollinsk ærinde. Stram metrik og taktnære, sobre motiver holdt den skæbnetunge inderlighed i skak. Skriften var nøgternt autoritativ, men lod sig også opildne som korte lyn på himlen: et skred indledt af valdhorn, buer slået mod strygerne, hektisk skærende træblæsere inden førstesatsens stormfulde standsning.

Og så altså modsætningen i den korte andensats: klavererne, der langsomt viklede sig ud af atonale klynger og ind i et tålmodigt afbalanceret lys. Nærmest som en terapeutisk strategi, et harnisk mod melankoli og mørke. En for så vidt abrupt struktur, men samtidig med en gennemgående personlig tilstedeværelse, en kamp mellem strenghed og mani, som måske er lige dele van goghsk og dahlsk. Tilmed, hurra, i vældigt værdig philsk opførelse.

© PR

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music: 

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'. 

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

© PR
© PR

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.

© Kåre Viemose

»Recently, I discovered that when a couple of thousand people clap their thick gloves in minus 30 degrees, it sounds like the softest techno – a freezing space where the cold air turns into a wave of warmth, and we, in a moment of collective devotion, become one with the rhythm, one with the invisible bond that connects us in the warmth of silence. Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.«

Andreo Michaelo Mielczarek has been the editor-in-chief of Seismograf since 2021. He is also a music critic and cultural journalist at Kristeligt Dagblad and Århus Stiftstidende/Avisen Danmark and has over the years written to publications such as Kunsten.nu, Glissando (Poland), Neural (Italy), Raw Vision (UK), Nutida Musik (Sweden), Kunstkritikk (DK/Sweden), Iscene.dk, B.T., and Jazz Special. He is the author (together with Lars Muhl) of the book HVA' SAA! En guidet rutsjebanetur gennem Aarhus – før, nu og i fremtiden (2024) and has also contributed to the anthology on music criticism Man skal høre meget (ed. Thomas Michelsen and Claus Røllum-Larsen, 2024). He is a founder and partner in the Polish-Danish cultural organization Kultur(a), and wherever there is a piano, he will be there, eager to coax a melody from it.

© Aria Leth Schütze

»For me, music is an opportunity for transformation.«

Aria Leth Schütze is based in Copenhagen and is the creative force behind the music projects Alto Aria and Samler På Dig. They are a co-founder of the record label Rhizome and a co-editor of the music magazine Passive/Aggressive. Their practice brings together electronic and acoustic music in an exploration of transformation.
 

© PR

»For me, music is the art form that – if measured in hours and minutes – occupies by far the greatest part of my life. I cannot sing, nor can I play an instrument, but I can listen – as a happy amateur – while cycling, on the dance floor, and, above all, at the office. I almost always work – that is, write – to music.« 

Mikkel Krause Frantzen (b. 1983) is an associate professor at the Department of Arts and Cultural Studies, a literary critic for Politiken, and the author of several books in English and Danish, such as En fremtid uden Fremtid (2018), Klodens Fald (2021), and Slutspil (2024).