In brief
07.05.2023

Over the top

Spot Festival: Århus Sinfonietta feat. Josefine Opsahl: »Hands« 
© Rasmus Sigvaldi
© Rasmus Sigvaldi

Det startede godt. Josefine Opsahl ejer evnen til at sætte scener: Cellistens nye cellokoncert Hands for Århus Sinfonietta gik fra noget mysteriøst, hemmeligt, neoklassisk, folkemusikalsk (klart den bedste del) til noget neoromantisk. Og sad man på første række, blev man let blæst bagover af den megen action. Sad man lidt på afstand, var oplevelsen – ihvertfald hos mig – en anden: Musikken bragede ud i salen og mindede om adskillige Hollywood-films lykkelige slutninger, som fx den oprindelige Avatar-films over-the-top happy ending, hvor alle de gode kræfter til slut slår sig sammen og sejrer. Opsahls pompøse cellokoncert virkede lige så endimensionel. I en tidsalder med evindelige »posings« kan kunsten risikere at klinge lige så hult og overfladisk som den flottest opsatte selfie.

Hvis storladent i sig selv kan opfattes som et positivt statement, så er denne anmeldelse positiv. Elsker man det hurtige og glamourøse, ville man have nydt Opsahls Hands. 

Klassiske musikere siger, det er på Spot, det sner. Måske får Opsahl ny musik ud til et bredere publikum. Som populærmusik duer det nok ok. Men så taler vi om to forskellige kunstkulturer, to forskellige forbrugskulturer. Et klassisk publikum ville dog næppe blive glade for et opblæst værk i den bogstaveligste forstand, hvor det storladne får så frit spil for galleriet. Hvor store løfter og armbevægelser fejer dybde og subtilitet af banen. Men måske er det bedste spørgsmål, om en nutidig cellokoncert må stryge én med hårene, om den må lyde lige så flygtig som en Instagram-story, og om det er et problem, hvis den minder mest om et døgnflue-pophit, selvom komponisten i programteksten citerer selveste Immanuel Kant? 

© Hreinn Gudlaugsson

»Music for me is like a sourdough. If you don't feed it right it is going to die. If you feed it correctly a lot of people can benefit from it.« 

Halym Kim is a drummer, composer and project coordinator based in Copenhagen. His music is mainly based in free improvisation and experimental music but performs also as a traditional Korean percussionist. He has a Master and an Advanced Postgraduate Diploma in Music Performance from RMC in Copenhagen. Together with Nana Pi he organizes Impro Camp which is a music camp for free and structured improvised music that is happening every year in Fredericia, Denmark.

© DMF

»Music for me is a tool of infinite expression. It’s where I’ve had the most complex conversations and open-minded experiences. It is the highest form of energy I know.«

Nana Pi is a saxophonist, composer and conductor working within the experimental music scene. She has developed a unique musical vocabulary on the saxophone by incorporating objects and extended techniques, pushing the boundaries of sonic expression. Beyond her work as a saxophonist, she is known for conducting improvisation using her music sign language, Extemporize, for which she received the P8 Jazz Award Årets Ildsjæl in 2020. She is a member of the well established record label Barefoot Records. In addition to her musical career, Nana Pi is organizing events such as Impro Camp and FredagsJAM that focuses on creating networks and inspiring music environments between musicians.

© PR

»For me, music is an emotional refuge. When I sit at the piano I feel safe, it's where I can release everything I carry inside. It's not about performing, it's about being honest, vulnerable and free.«

Samanta Yubero, known artistically as Samyula, is a composer, pianist, and neuroscientist based in Barcelona. Trained as a classical pianist and holding a PhD in her scientific field, Samyula bridges the worlds of art and science in her work. Her music – often within neoclassicism – blends both serene and intense piano melodies with vivid, dynamic string arrangements, creating emotionally resonant and immersive soundscapes. With a deep passion for both composition and performance, Samyula offers audiences a uniquely powerful and moving experience.

© PR

»Music is the ultimate gateway to presence, a true expression of the moment.«

Praised by DownBeat Magazine as one of Europe’s most versatile and inquisitive musicians, Polish-born, Scandinavian-based trumpeter and composer Tomasz Dąbrowski creates music that whispers before it screams – blending open, lyrical melodies with raw, unconventional trumpet sounds. Dąbrowski has revealed an unceasing curiosity, stretching and expanding his jazz roots in an ever-widening circle of exploration. From the beginning he’s rejected hierarchies, preferring to see creative music as a boundless practice that can accommodate ideas drawn from every spot on the stylistic map. While plenty of musicians pivot toward new directions, sometimes transforming their aesthetic wholesale, Dąbrowski has long revealed a more ruminative and holistic mindset that has allowed him to retain a clear artistic identity through countless projects, whether driven by improvisation or composition. 

© Malthe Ivarsson

»Music is where my heart is. The place where I feel the most freedom and possibility to express myself. It's also the place I seek to when I need to calm down.«

Anna Roemer is a Danish guitarist and composer from South Zealand, now based in Copenhagen. She has performed with artists like Hannah Schneider, Jacob Bellens, and Guldimund. Together with saxophonist Cecilie Strange, she forms the acclaimed duo K A L E II D O, known for music that constantly evolves. The duo has received national and international praise and won the Carl Prize for »Jazz Composer of the Year« for their albums Elements and Places (2024).