© Michelle Carlslund
»Musik for mig er dråber af indfanget tid. Noget af det vildeste, jeg har hørt, er en af verdenshistoriens første musikafspillere, som står på Rosenborg Slot og som stadigvæk den dag i dag spiller de selvsamme fysiske toner og melodier, som mennesker lyttede til under Frederik d. 5. tids omkring år 1755. Da jeg hørte det, blev jeg dybt rørt, og det slog mig, i hvor høj grad musik er overlevering af viden, kultur – og netop indfanget tid – til kommende generationer.«  
 
Mikkel B. Grevsen er musiker og komponist i soloprojektet figur, bandet INTET ALTID og orkesteret Søren Ulrik Thomsen & Det Glemte Kvarter. figur er lige nu aktuel med albummet The Horticulture – Fragment and Movements, ligesom han i år er aktuel som komponist på forestillingen Hold så kæft, Lars og som komponist på et nyt værk for Aarhus Jazz Orchestra og Søren Ulrik Thomsen & Det Glemte Kvarter. Han er i gang med at lave en ballet sammen med Sebastian Kloborg og Frederik Valentin og til sommer er han aktuel med nyt bestillingsværk for ham og Bjarke Mogensen (accordion) + mezzosopran på bl.a. Festival & Friends.
Som iværksætter er han idémageren bag landsdækkende formater som fusionskoncerterne Digte & Lyd og fællessangs-projektet Sangskatten, ligesom han står bag den klassiske (og flydende) festival Klassisk på K, som dækker over Klassisk på Kyssetrappen (Kbh), Klassisk på Kanten (Aarhus) og Klassisk på Kajen (Odense).
© PR

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music: 

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'. 

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

© PR
© PR

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.

© Kåre Viemose

»Recently, I discovered that when a couple of thousand people clap their thick gloves in minus 30 degrees, it sounds like the softest techno – a freezing space where the cold air turns into a wave of warmth, and we, in a moment of collective devotion, become one with the rhythm, one with the invisible bond that connects us in the warmth of silence. Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.«

Andreo Michaelo Mielczarek has been the editor-in-chief of Seismograf since 2021. He is also a music critic and cultural journalist at Kristeligt Dagblad and Århus Stiftstidende/Avisen Danmark and has over the years written to publications such as Kunsten.nu, Glissando (Poland), Neural (Italy), Raw Vision (UK), Nutida Musik (Sweden), Kunstkritikk (DK/Sweden), Iscene.dk, B.T., and Jazz Special. He is the author (together with Lars Muhl) of the book HVA' SAA! En guidet rutsjebanetur gennem Aarhus – før, nu og i fremtiden (2024) and has also contributed to the anthology on music criticism Man skal høre meget (ed. Thomas Michelsen and Claus Røllum-Larsen, 2024). He is a founder and partner in the Polish-Danish cultural organization Kultur(a), and wherever there is a piano, he will be there, eager to coax a melody from it.

© Aria Leth Schütze

»For me, music is an opportunity for transformation.«

Aria Leth Schütze is based in Copenhagen and is the creative force behind the music projects Alto Aria and Samler På Dig. They are a co-founder of the record label Rhizome and a co-editor of the music magazine Passive/Aggressive. Their practice brings together electronic and acoustic music in an exploration of transformation.
 

© PR

»For me, music is the art form that – if measured in hours and minutes – occupies by far the greatest part of my life. I cannot sing, nor can I play an instrument, but I can listen – as a happy amateur – while cycling, on the dance floor, and, above all, at the office. I almost always work – that is, write – to music.« 

Mikkel Krause Frantzen (b. 1983) is an associate professor at the Department of Arts and Cultural Studies, a literary critic for Politiken, and the author of several books in English and Danish, such as En fremtid uden Fremtid (2018), Klodens Fald (2021), and Slutspil (2024).