© Charlotte Lakits

»For me, music is a bridge between worlds and cultures, and it’s also a path inward – and outward. Toward new insights. Music is what I use when I meet other people, instead of talking about the weather. It’s music that gives me answers and asks the questions. Music is a release valve and the space that can hold all the unmanageable, infinite, and strange emotions in life. A space for everything I can’t seem to fit anywhere else. Music roots the airy and the ethereal. A dissolution of all that is material and tangible.

When I create music myself, I discover new paths and ingredients within me that I didn’t know I had access to. Music is the language through which one can connect with others – with or without formal training – an imaginary language, and yet so concrete that it can be touched and felt. Music is a peephole into others and a gaze that crosses the boundaries that would otherwise divide us.

For me, music is motive, excuse, and emphasis. And a pressure test between reality and fantasy. Music is balance and chaos, tonal poetry, pure lovely gibberish, ultimate perfection – and sometimes the only thing bearable to listen to.«

Per Bloch is a composer and songwriter, as well as the author of novels and children’s books accompanied by musical audiobooks. Last year, he published the children’s book Gakkelaksen og de 10.000 stjerner and the novel Rosa i al slags lys, both including sound pieces. He also released three new songs in three different languages – Greek/Danish, Faroese, and Greenlandic – as a follow-up to the album Kokoro, which consisted of eight love songs in eight different languages. In addition, he released two remixes – one of them based on the novel's soundtrack, created by the Japanese sound artist Sugai Ken.

© PR

»Music is, to us, a kind of closed club of nepotism, networking and Copenhagen cowboy energy. But in reality, it’s got nothing to do with expensive guitars or technical skill. For us, music is something you can feel in your chest, or something that gives you goosebumps. The best concerts are when someone screams so earnestly that the rest of us don’t have to. The best music expresses emotions in a way that would get you picked up by an ambulance if you did it out on the street. For us, music should fuck with the people who have it too comfortable, and give those who have it fucked a feeling that they’re not alone. Boom. And what the fuck is a chord and a key anyway? Kisses from Nightmaries.«

Nightmaries blend saws, guitars and voices into a dark-country, no-wave, cowboy-doom nightmare. They create the kind of soundtrack that feels like a fever dream you somehow don’t want to wake up from. As the world gets stranger and darker, Nightmaries lean into the madness, serving up slow-burning songs that creep under your skin like a poison that takes its sweet time. Put on your favourite steel-toe boots, dip your smoky eyes in an ashtray, and prepare yourself for sloppy doom with punk energy.

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»To me, music is love. I love how music allows you to skip the small talk and connect directly with people’s innermost selves. It is an extraordinary and moving way to meet one another.«

Fenja wrote her first song at the age of twelve – about a polar bear dying due to climate change – and themes of existentialism, nature, and her own sensitive nature came to define the lyrics and sound she has since developed. She released her debut album, Flugtdyr, in 2021, and in February 2026, she released the album Menneskedyr.

© PR
© PR

Danish composer Sofus Forsberg has died at the age of 56. With his distinctive blend of melodic sensibility, electronic processing and rhythmic precision, he created a musical world that moved effortlessly between IDM, pop and the avant-garde.

© Simon Weyhe

»Music for me is my hobby, my job, my outlet, my mood, an endless source of discovering new music and new, old music, some of the best and can be some of the worst. And I love it!« 

Track72 aka Tue Track aka Anders Lundby Brixen. Producer, DJ, rapper and more. Known for his role in the trio Malk De Koijn, which since the mid-1990s has created a personal universe in Danish hip-hop. Has performed in Ponyblod, Xtra Naan, Track Abdullah Rock, Booty Cologne and others.

© PR
© PR

On Wednesday, 5 August 2026, it happened again: a chord in John Cage’s Organ2/ASLSP (As Slow as Possible) changed after two and a half years. Classic FM reports.

The work was written by the American avant-garde composer John Cage in the mid-1980s. The score consists of eight pages of music, and, as the title suggests, the instruction is to play it »as slow as possible.«