© Thomas Borberg

»Musik er min makker, og det har den været altid. Jeg er vokset op i et hjem uden klaver med en far der var kranfører og en mor der er sosu-assistent. Der var ingen stor pladesamling at gå på jagt i, og det stod ikke skrevet i nogen stjerner, at jeg skulle ende på Politiken. Vi holdt jo Det Fri Aktuelt. Men radioen var altid tændt, og jeg har kunnet trampe min egen sti igennem musikhistorien, uden forældre der slog mig oveni hovedet med deres Beatles-plader. Måske er det derfor, min musiksmag er blevet et hot mess af syrerock, streaming-konger, salsa og satan. Til gengæld jeg spiller ikke selv. Det er min lille gave til alle jer andre.«

Pernille Jensen (f. 1984) er musikanmelder på Politiken. Hun begyndte at skrive for musiktidsskriftet Geiger i 2004, og har siden skrevet for Undertoner og Soundvenue, før hun kom til Politiken i 2011.

Bill Frisell. © Carole D'Inverno

Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings. From Aaron Copeland and Charles Ives to Bob Dylan and Madonna. His mantra is simple: »I like when it's impossible to tell at first if something is black or white, or country or blues, or whatever«. 

Born in Baltimore, Bill Frisell played clarinet throughout his childhood in Denver, Colorado. His interest in guitar began with his exposure to pop music on the radio.

© PR

»Music has been a healing balm for me.«

John William Grant is an American singer, musician, and songwriter holding both American and Icelandic citizenship. He first came to prominence as a co-founder, lead vocalist, pianist, and primary songwriter of the alternative rock band The Czars. After releasing six albums between 1994 and 2006, the band disbanded, and Grant withdrew from music for four years before embarking on a solo career.

He returned in April 2010 with a critically acclaimed debut album recorded in collaboration with Midlake. Queen of Denmark was named Album of the Year 2010 by Mojo magazine and was also selected as one of the ten best albums of 2010 by The Guardian’s music critics and writers.