Amanda Drew © Ninna Lundberg

»Musik for mig er et mulighedsrum for en bedre verden. Man kunne fristes til at sige, at den er eskapistisk, men jeg mener, den er transformerende, bevidsthedsåbnende og livsnødvendig for at skabe en verden, der er til at holde ud at leve i.«

Amanda Drew er en dansk/engelsk vokalist, sangskriver, komponist, musiker, producer og performer, også kendt under kunstnernavnet Precious Mayhem. Sidste år udkom Precious Mayhems debutalbum The Softness I Sing – et konceptalbum af valsede søvngængersange, fra nætter fyldt af angst og omsorg. Drew trives i et musikalsk spænd over samtidsmusik i både rytmiske og klassiske genrer og med en forkærlighed for modig, sårbar, stærk og ærlig musik, som rører lytteren. På scenen bruger Drew vokal, cello, synthesizere og guitar foruden elementer fra performancekunst og koreografi. Amanda Drew komponerer musik i tværkunstneriske samarbejdsprojekter senest i det anmelderroste kontemporære operaværk Dronning Annabell, som havde premiere på CPH Operafestival 2025 og er lige nu aktuel med den brutale teaterforestilling Fædra om magt, manipulation og begær, som hun optræder i og har komponeret musikken til. Fædra har premiere på Aarhus Teater 20. november 2025. Amanda Drew har desuden udgivet musik med stororkesteret Natlyst og blev i 2020 uddannet Rytmisk Musiker (sang) fra Det Jyske Musikkonservatorium, Aarhus, og har en kandidat i Music Performance fra Rytmisk Musikkonservatorium, København.

© PR

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music: 

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'. 

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

© PR
© PR

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.

© Kåre Viemose

»Recently, I discovered that when a couple of thousand people clap their thick gloves in minus 30 degrees, it sounds like the softest techno – a freezing space where the cold air turns into a wave of warmth, and we, in a moment of collective devotion, become one with the rhythm, one with the invisible bond that connects us in the warmth of silence. Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.«

Andreo Michaelo Mielczarek has been the editor-in-chief of Seismograf since 2021. He is also a music critic and cultural journalist at Kristeligt Dagblad and Århus Stiftstidende/Avisen Danmark and has over the years written to publications such as Kunsten.nu, Glissando (Poland), Neural (Italy), Raw Vision (UK), Nutida Musik (Sweden), Kunstkritikk (DK/Sweden), Iscene.dk, B.T., and Jazz Special. He is the author (together with Lars Muhl) of the book HVA' SAA! En guidet rutsjebanetur gennem Aarhus – før, nu og i fremtiden (2024) and has also contributed to the anthology on music criticism Man skal høre meget (ed. Thomas Michelsen and Claus Røllum-Larsen, 2024). He is a founder and partner in the Polish-Danish cultural organization Kultur(a), and wherever there is a piano, he will be there, eager to coax a melody from it.

© Aria Leth Schütze

»For me, music is an opportunity for transformation.«

Aria Leth Schütze is based in Copenhagen and is the creative force behind the music projects Alto Aria and Samler På Dig. They are a co-founder of the record label Rhizome and a co-editor of the music magazine Passive/Aggressive. Their practice brings together electronic and acoustic music in an exploration of transformation.
 

© PR

»For me, music is the art form that – if measured in hours and minutes – occupies by far the greatest part of my life. I cannot sing, nor can I play an instrument, but I can listen – as a happy amateur – while cycling, on the dance floor, and, above all, at the office. I almost always work – that is, write – to music.« 

Mikkel Krause Frantzen (b. 1983) is an associate professor at the Department of Arts and Cultural Studies, a literary critic for Politiken, and the author of several books in English and Danish, such as En fremtid uden Fremtid (2018), Klodens Fald (2021), and Slutspil (2024).