PerspectiveEssay

what we immerse ourselves in

  • essay05.05.2015

    ... too wide a field. Sound Art in Berlin.
    "Looking at SoundArt in Berlin today, we find not only an evolved art form, but a unique cultural situation, making this city still one of the worlds most lively SoundArt centres. The history of SoundArt in Berlin is here traced back to the 1970s when the Western part of the divided city became a centre of cross-disciplinary and experimental art. To understand the subsequent development, the article starts with the underlying cultural and political situation of Berlin in the last few decades."
    By Kersten Glandien
  • essay05.05.2015

    Objective: The object
    Is there a line from Mahler to Simon Steen-Andersen? From a fin-de-siècle symphony to a 21st century avant-garde investigation of technological possibilities? Well maybe, the author argues, if modernism in music is seen as an interest in sounding objects.
    By Henrik Friis
  • essay30.10.2014

    Have You Seen The Music?
    Through a reading of four works, this article explores how Simon Steen-Andersen the visual as a communicating and concrete compositional material.
    By Rasmus Holmboe