• interview08.03.2021

  ‘We don’t have the same aspirations at all’

  
  Guitarist Mikkel Schou prefers the brand-new music composed today; his upcoming Debut Concert is a ‘thanks, but no thanks’ to institutional forces of habit.

  By Andrew Mellor
• review08.12.2020

  Beyond the ASMR phenomenon

  
  At the Academy for Open Listening, Sofie Birch and My Lambertsen set out a new direction for the ASMR genre.

  By Alifiyah Imani
• essay23.11.2020

  A song of one’s own

  
  American composer Caroline Shaw drew criticism because she profited on Inuit throat singing, according to singer Tanya Tagaq.

  By Andrew Mellor

• PEER article26.06.2020

  Beyond the media reveal

  
  If we sought to go beyond the media reveal, what new practices of knowledge should emerge?

  By Jamie Allen
• PEER article26.06.2020

  Sounding new materialism

  
  How does a sonic artist come to terms with the global effects of the tools of her trade?

  By Joe Cantrell
• PEER article26.06.2020

  The composer as curator

  
  How John Cage deconstructed the governed gallery experience and formed a new field of research.

  By Liora Belford

• PEER article26.06.2020

  Confronting embodied knowledge

  
  A methodology of working with embodied sound and movement as an approach to creating open score pieces.

  By Solomiya Moroz
• reportage26.06.2020

  Keynotes on sound art, media art, and sonic materialism

  
  Video recordings of five RE:SOUND keynotes as well as a panel discussion on sound art curation.

  By Jamie Allen, Samson Young, Salomé Voegelin, Marie Koldkjær Højlund & Christoph Cox
• audio paper18.06.2020

  The silence of the fans

  
  How can a crowd of football fans use sound to protest a profit-oriented football machinery? By staying completely silent, apparently.

  By Friedemann Dupelius