• PEER audio paper30.08.2016

  “Like sitting inside a phone”

  
  The radio studio is acoustically designed to be inaudible, but is yet ever-present as a prerequisite for voices and situations.

  By Jacob Kreutzfeldt & Sandra Lori Pedersen
• PEER audio paper30.08.2016

  Place Time (Sounds)

  
  A discussion of Werder’s 2005 (1) in relation to Werder’s own oeuvre and to the work of John Cage’s.

  By Ben Byrne
• PEER audio paper30.08.2016

  Through the air with the greatest of ease: Phonogenie

  
  An audio paper that explores songs as temporal and affective phenomena.

  By Anne Robinson

• PEER article30.08.2016

  Idiosyncrasy as Method

  
  Holger Schulze’s keynote presentation asking for individual idiosyncrasies as parts of research methodologies.

  By Holger Schulze
• PEER article30.08.2016

  Audio Papers – a manifesto

  
  A germinal manifesto for the audio paper.

  By Sanne Krogh Groth & Kristine Samson
• review28.08.2016

  A promising week with young composers

  
  Andreas Engström with a review of this year's Young Nordic Music Days in Aarhus, Denmark.

  By Andreas Engström

• interview11.08.2016

  “We can’t really afford to fuck this up”

  
  Lasse D. Hansen interviews Peder Holm and himself ahead of the Young Nordic Music Festival in Aarhus.

  By Lasse D. Hansen
• interview11.08.2016

  »Vi har ikke rigtig råd til at fucke det her op«

  
  Lasse D. Hansen i interview med Peder Holm og sig selv forud for Ung Nordisk Musik-festivalen i Aarhus.

  By Lasse D. Hansen
• review09.08.2016

  The duality of Bruun

  
  Andrew Mellor on Peter Bruun's 'The Green Groves' and 'Exodus'.

  By Andrew Mellor