This article researches the role of the Human body in the production of sound art in the exhibition space. It focuses on the spatial path between body and sound in the exhibition space of sound art.
Operating rooms are typically noise filled environments, where polyrhythms and polyphonics of human and non-human sounds collide. In this paper the operating room soundscape is used for relational ethnographic exploration, framed in critical affect theory, and brings together insights from medical sociology and sound studies.
By
Andile Lindokuhle Sibiya, Kevin Gordon & Matthias Kispert
In the audio-paper »Fear of Weakness: Songs to Agitate the Man«, artist Morten Poulsen builds on his project »Boys Will Be…« (2022), in which he met with young cis-men to have conversations about vulnerability, intimacy and masculine norms
This audio paper explores the »acoustic territory« (Labelle, 2010) of Peckham Rye Lane through my sonic journey as a Peckham resident, practitioner, and researcher.
I went on an artist residency in Tokyo in 2018/19 for three months and ended up spending most of my time in karaoke boxes. I don’t remember what my actual project was but in the birthplace of karaoke, amateur singing of pop songs was all I could think of.
For over 4000 years, the Inuit in Kalaallit Nunaat, as Greenland is called in Greenlandic, have been living in an intimate relationship with nature in the Arctic. Their knowledge of how to survive under such harsh conditions has been preserved and passed on via sound through the millennia.
This audio paper explores the phenomenon of voice-based technology in the smart-home. Through ethnographic interviews we study how older people use voice-based technologies and with what effects for their experiences of the affective environment in their homes.
By
Marie Ertner, Stina Hasse Jørgensen & Signe L. Yndigegn
How do we talk about musical colonisation? How do we talk about this work of talking about it; that is, interrogating what we mean by colonisation and its counter-logic of decolonisation or decoloniality?
By
Anjeline de Dios, Phil Dodds , Sanne Krogh Groth, Xenia Benivolski, Hild Borchgrevink, Nils Bubandt, Yurii Chekan , Maria Rijo Lopes Da Cunha , Brandon Farnsworth, Rosanna Lovell , Caryl Mann, Ania Mauruschat, Ucee-Uchenna L. Nwachukwu, Ellen Marie Bråthen Steen & Yiren Zhao
Slowly the idea of universality is dissolving, experimental music exists everywhere and in every genre – Abbasi, Eizirik and Sanchéz-Chiong in conversation.