playlist

My name is Anastasia – would you like to see my playlist?

»Music is for me a silent but powerful weapon. It is crucial for preserving identity and culture. Throughout history, dominant powers have often tried to suppress people by wiping out their language, their traditions and their art. But in places where this failed, it was precisely the survival of art that preserved the soul and pride of the people.«

Anastasia is a Danish indie artist with glamour in her eyes and punk in her blood. Together with her all-female band, she creates a sound universe carried by raw energy, bittersweet rock melodies and cheeky, flirtatious lyrics about love, loss and everything chaotic in between. She debuted in 2022 with a series of charity concerts in support of Ukraine and has since taken over stages across the country – from Debutfest in Copenhagen to SPOT Festival in Aarhus. All songs are written and produced by Anastasia herself and take their final form in a close and intense interaction with the band, where personal expression meets collective power.

playlist

13.06.2023

My name is Allan Gravgaard Madsen – would you like to see my playlist?

»In his music, composer Allan Gravgaard Madsen tries to create a better version of himself.«

Allan Gravgaard Madsen is a Danish composer based in Copenhagen. His most recent works include Träume nicht and Nachtmusik. He tries to create a better version of himself in his music – where his personality tends to be restless, chatty and has an active inner life, his music is controlled, simple and merciless in its expression. He is the recipient of the Carl Nielsen & Anne Marie Carl-Nielsens Hæderspris 2022.

in briefrelease

23.01.2022

Finnish Space Travel

Tomutonttu: »Hoshi«

Vauva, 02.12

Kristoffer Møllegaard

The Finnish multimedia artist Jan Anderzén has, with the album Hoshi, released under the solo moniker Tomutonttu, created a true little star. Not only because »hoshi« literally means »star« in Japanese, but above all due to the music itself. There is something cosmic, yet infinitely minute, about the sonic worlds Anderzén conjures—like a galaxy reflected in a puddle, or a space journey in a rocket carved from a hollow tree trunk. Synths emit busy, warm blips and bloops, while ultra-short vocal and instrumental samples create a recognizable blur. At once artificial and organic – soft, rounded, jagged, crackling.

Anderzén approaches sound with a playfulness I simply adore. His music is strange in an incredibly comforting way. It places me in a kind of colorful, trance-like state, only interrupted when, several times over the course of the album, I find myself smiling in delight at a particularly great sound. The synths on »Katse osuu sähköön!« The choral samples on »Kesä oli äkkiä ohi!« Milo Linnovaara’s flute on »Malta lausua ‘AH’!« And many more. Hoshi is an album packed with microscopic moments that together form a frayed, exploding, radiant, idiosyncratic whole—a stellar moment of just under 38 minutes.