Andreo Michaelo Mielczarek

Editor-in-Chief of Seismograf since 2021 and music critic at Kristeligt Dagblad. Has written for a wide range of Danish and international media, including The Quietus (UK), Positionen (DE), MINT Magazine and Jazz Forum (PL), Neural (IT), Raw Vision (UK), and Kunstkritikk. Co-author (with Lars Muhl) of HVA’ SAA! En guides rutsjebanetur gennem Aarhus – før, nu og i fremtiden, and contributor to Man skal høre meget – an anthology on music criticism.

By Andreo Michaelo Mielczarek

playlist
25.04.2025

My name is Andreo Michaelo Mielczarek – would you like to see my playlist?

Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.

By Andreo Michaelo Mielczarek
reportage
11.03.2025

How Does Hope Sound in Minus 30 Degrees?

They have a bivouac, a couple of churches and a cultural festival – in northern Norway, Kirkenes, people are prepared if the worst happens.

By Andreo Michaelo Mielczarek
in brief
13.02.2025

Jeppe's Soundtrack

If I woke up in a golden bed with a crowd of strangers around me, I would love to listen to the same soundtrack as Jeppe.

By Andreo Michaelo Mielczarek
reportage
06.01.2025

A Modern Festival with a Memory

At Warsaw Autumn, they are not only focused on sounds. The Polish festival aims to influence reality with new names and ideas.

By Andreo Michaelo Mielczarek
essay
29.11.2024

2024: An Earful of Chaos

Chaotic times call for chaotic music. But also soft techno, flutists and yoga balls. Jennifer Gersten and Andreo Michaelo Mielczarek wrap up the musical year in a conversation between New York and Aarhus.

By Jennifer Gersten & Andreo Michaelo Mielczarek
reportage
15.11.2024

»For Many Years I Have Thought About What the Nordics Really Are«

Was it just for fun that the world's oldest festival for Nordic contemporary music traveled to Scotland? No, it was an educational journey.

By Andreo Michaelo Mielczarek
reportage
15.11.2024

»For many years I have thought about what the Nordics really are«

Was it just for fun that the world's oldest festival for Nordic contemporary music traveled to Scotland? No, it was an educational journey.

By Andreo Michaelo Mielczarek
review
18.10.2024

Head to Venice and Hear Foreign Songs Everywhere

War, refugees, and destruction are inescapable at the Venice Biennale. You can feel it, see it, hear it – it's all-encompassing. Has Venice ever been this filled with sound?

By Andreo Michaelo Mielczarek
review
18.10.2024

Head to Venice and Hear Foreign Songs Everywhere

War, refugees, and destruction are inescapable at the Venice Biennale. You can feel it, see it, hear it – it's all-encompassing. Has Venice ever been this filled with sound?

By Andreo Michaelo Mielczarek
in brief
12.10.2024

You Just Want to Disappear into These Cosmic Hordes of Sound

»'Myriads' is better – more enriching – than any club in Aarhus’ Latin Quarter.«

By Andreo Michaelo Mielczarek
reportage
07.10.2024

In the Shelter of the Noise of Glasgow’s Night

The audiovisual festival Sonica shakes up the senses with sick robots, bagpipes and electronica for the future.

By Andreo Michaelo Mielczarek
in brief
31.08.2024

Fear and Heavy Curtains in Aarhus

»And that is how it sounded. Cold. Like the saddest Instagram filter imaginable – with sound.«

By Andreo Michaelo Mielczarek