Nikola Nedeljkovic Gøttsche

Nikola Nedeljkovic Gøttsche holds a Master's degree in Modern Culture and has worked as a freelance critic for over a decade. He writes for Passive/Aggressive, among others, and has previously contributed to Dagbladet Information, Soundvenue and GAFFA.

By Nikola Nedeljkovic Gøttsche

in brief
11.09

A Strange Instrument, a Familiar Sound

Mike Sheridan’s fascination with the Cristal Baschet is evident on »Touch«. Less evident is the instrument’s significance for the music that emerges from it

By Nikola Nedeljkovic Gøttsche
review
26.08

The Art of Letting Go

On three new albums by Sofie Birch, Tyondai Braxton, and Gustaf Dicksson & co., electronics come alive, melodies are allowed to lose their way, and experimental music discovers a rare lightness.

By Nikola Nedeljkovic Gøttsche
in brief
25.05

Ecstasy After the Party

Dreijer’s music believes in ecstasy as a gentle experience. It is music meant for dancing, yet somehow shy at the very thought of celebration

By Nikola Nedeljkovic Gøttsche
in brief
10.04

Squarepusher in a Straitjacket Among Strings

One wishes Squarepusher had either ventured further into the orchestral realm or trusted more in what he actually excels at, giving the electronics freer rein

By Nikola Nedeljkovic Gøttsche
in brief
30.03

Inside the Belly of an Alien Sonic Organism

»Music for Intersecting Planes« holds something far more porous and open than Malone and Bordreuil’s earlier works

By Nikola Nedeljkovic Gøttsche
in brief
07.03

Sound Crusts in Slow Motion

At Alice, Abul Mogard let tones open their inner life through slowly shifting drone passages

By Nikola Nedeljkovic Gøttsche