A few days before this year’s Copenhagen Opera Festival begins, I, as a critic, have been asked to keep away from one of the festival’s most experimental performances at the theatre Sort/Hvid. This is a complete misunderstanding of the role of criticism.

»Cohesive, yet lacking challenges for the listener – such is the impression left by Josefine Opsahl’s new work.«

It is saturated, direct, and seemingly made for a grippingly intense choreography. A powerful partnership on the grand stage.