playliste15.12.2023
My name is Pernille Andersen – would you like to see my playlist?
The duo’s name GlassEar refers to their many years of communication in a digital time: Glass (screen) / Ear (phone).
Arkiv
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kommentar15.12.2023
Det blev de elektroniske komponisters år
Bag de bedste udgivelser i 2023 stod som regel en elektronisk komponist. I hvert fald hvis man spørger mig, og det gjorde Seismograf i år.
kortkritik15.12.2023
Orglet er lydkunstens kreative motor
»De unge lydkunstnere får i disse dage meget mere klangfølsomhed frem med deres hjemmebyggede orgler i Koncertkirken, end mange musikere kan producere med en klavertangent.«
PEER audio paper11.12.2023
To whom it may speak
This audio paper narrates through the experiences and ambiences of Russian aggression to which Ukrainians relate a long history of Russia’s imperial statehood.
PEER article11.12.2023
Democratic noise
Democratic conversation and collectively improvised music have such pronounced similarities that improvisations can be discussed in terms of their democratic potentiality.
PEER audio paper11.12.2023
The limitations of sonic offer
The sound of the slogans at the demonstrations touches the body, it is impossible to hide from. The vulnerability revealed through this touch creates immediate affective responses pointing at the limitations of sonic support and solidarization.
PEER article11.12.2023
The human body as a space defining element of sound art
This article researches the role of the Human body in the production of sound art in the exhibition space. It focuses on the spatial path between body and sound in the exhibition space of sound art.
PEER audio paper11.12.2023
Cochlear implantation surgery
Operating rooms are typically noise filled environments, where polyrhythms and polyphonics of human and non-human sounds collide. In this paper the operating room soundscape is used for relational ethnographic exploration, framed in critical affect theory, and brings together insights from medical sociology and sound studies.
PEER audio paper11.12.2023
Fear of weakness
In the audio-paper »Fear of Weakness: Songs to Agitate the Man«, artist Morten Poulsen builds on his project »Boys Will Be…« (2022), in which he met with young cis-men to have conversations about vulnerability, intimacy and masculine norms
PEER audio paper11.12.2023
The second sound of integrity
Following Ruiz and Vourloumis, this audio paper performance sounds a formless formation, exploring integrity and wholeness among Black and Indigenous collectives that organize via radical forms of togetherness outside state-sponsored institution
PEER audio paper11.12.2023
More than background
This audio paper explores the »acoustic territory« (Labelle, 2010) of Peckham Rye Lane through my sonic journey as a Peckham resident, practitioner, and researcher.
PEER audio paper11.12.2023
Karaoke collage
I went on an artist residency in Tokyo in 2018/19 for three months and ended up spending most of my time in karaoke boxes. I don’t remember what my actual project was but in the birthplace of karaoke, amateur singing of pop songs was all I could think of.
PEER audio paper11.12.2023
The heartbeat of the drum
For over 4000 years, the Inuit in Kalaallit Nunaat, as Greenland is called in Greenlandic, have been living in an intimate relationship with nature in the Arctic. Their knowledge of how to survive under such harsh conditions has been preserved and passed on via sound through the millennia.
PEER article11.12.2023
The lyric ear
The article analyses the genre of listening scores – texts written in a natural language that provide the readers with instructions to listen in a certain way or to a certain kind of sounds.
11.12.2023
Voice as infrastructure
This audio paper explores the phenomenon of voice-based technology in the smart-home. Through ethnographic interviews we study how older people use voice-based technologies and with what effects for their experiences of the affective environment in their homes.
playliste09.12.2023
Mit navn er Emil Palme – vil du se min playliste?
»Jeg oplever musik som noget magisk, som en kraft der kan kommunikere via energier, der ikke nødvendigvis kan forstås eller måles på. At skabe musik er for mig at have kontakt med den kraft.«
kritik28.11.2023
Skal det nu være morsomt? Åh ja!
Teknologi og sort humor swingede på MINU Festival, som på blot tre år er blevet én af de mest aktuelle begivenheder for eksperimenterende musik i Danmark.
playliste25.11.2023
My name is Iku Sakan – would you like to see my playlist?
»Music is the healing force.«
kritik23.11.2023
Hvem bestilte en afrocubansk uddrivelse?
Louis Franz Aguirre er en af de særeste komponister herhjemme. Men også en af de mest særlige. Mathias Reumert Group har indspillet tre af hans værker, der gør det guddommelige menneskeligt.
kritik20.11.2023
Kommer vi nogensinde til at forstå Rued Langgaard?
Han er kendt som Danmarks mærkeligste komponist. 71 år efter sin død lyder hans musik stadig aparte. Fascinerende bog afdækker nye facetter af mennesket Rued Langgaard.
playliste18.11.2023
My name is Mike Sheridan – would you like to see my playlist?
»To me, music is about everything else.«
kortkritik09.11.2023
Voldsomt charmerende Volvo
»Osgood og De Udeboende kommer virkelig vidt omkring både genrer og stemninger med en sprudlende livs- og spilleglæde.«
playliste06.11.2023
My name is Lucky Lo – would you like to see my playlist?
»I play music to connect people and I sing melodies to encourage community. I believe in the transformative power of music and love.«
playliste30.10.2023
My name is Johannes Sigurdsen – would you like to see my playlist?
»Food is like music, we can't avoid it, we strive for it because we need it.«
kritik30.10.2023
Den nye musik ånder i den gamle kulmineby
På en af Europas største biennaler for ny musik har man for længst sagt farvel til den gamle verden. Faktisk emmede Ostrava Days i Tjekkiet næsten af New York – i hvert fald i ti dage.