PEER audio paper06.04.2021
Stewardship to obsolescence and preservation
On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.
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PEER audio paper06.04.2021
Leaky knowledge
Reflecting the practice of the medical technique for listening with a stethoscope.
interview08.03.2021
‘We don’t have the same aspirations at all’
Guitarist Mikkel Schou prefers the brand-new music composed today; his upcoming Debut Concert is a ‘thanks, but no thanks’ to institutional forces of habit.
review08.12.2020
Beyond the ASMR phenomenon
At the Academy for Open Listening, Sofie Birch and My Lambertsen set out a new direction for the ASMR genre.
essay23.11.2020
A song of one’s own
American composer Caroline Shaw drew criticism because she profited on Inuit throat singing, according to singer Tanya Tagaq.
review26.10.2020
One man, one mission
Mathias Monrad Møller showed us an exciting creative vision at his official debut concert as singer and composer – a vision overshadowing dull questions of mere skill.
PEER article26.06.2020
Beyond the media reveal
If we sought to go beyond the media reveal, what new practices of knowledge should emerge?
PEER article26.06.2020
Sounding new materialism
How does a sonic artist come to terms with the global effects of the tools of her trade?
PEER article26.06.2020
The composer as curator
How John Cage deconstructed the governed gallery experience and formed a new field of research.
PEER article26.06.2020
The institutional situation of so-called sound art
A curatorial reading of Bruce Nauman’s sound installation “Für Kinder” calling for a post-medium approach to sound art.
PEER article26.06.2020
Confronting embodied knowledge
A methodology of working with embodied sound and movement as an approach to creating open score pieces.
reportage26.06.2020
Keynotes on sound art, media art, and sonic materialism
Video recordings of five RE:SOUND keynotes as well as a panel discussion on sound art curation.
audio paper18.06.2020
The silence of the fans
How can a crowd of football fans use sound to protest a profit-oriented football machinery? By staying completely silent, apparently.
essay12.06.2020
The hands just carry on by themselves
Two weeks ago, the German pianist Igor Levit took on an iconic marathon piece, fundamentally changing his own conditions as well as the listener’s.
interview02.06.2020
‘I wanted to be radical’
Instruments struggle to voice themselves in the music of Christian Winther Christensen. His focus on small sounds and deep concentration is a perfect match for a time of silenced soundscapes.
review31.03.2020
The system needs to change
Pulsar Festival 2020 took place under the shadow of Marcela Lucatelli’s ‘RGBW’. It’s time for a critical look at the systems of power.
essay26.03.2020
Nature won’t protect you anymore
Nature seems to have turned on us. That shows in Nordic contemporary music with sonic tales of decay, apocalypse, and protest.
review25.02.2020
A difficult beast to tame
With ‘Víddir’, a 60-minute composition of light and darkness, the Icelandic composer Bára Gísladóttir demonstrated the breadth of her imagination.
interview13.02.2020
‘Things are very anarchistic right now’
Neko3 is one of the most visionary ensembles at a moment where the contemporary music scene is changing rapidly.
PEER audio paper18.12.2019
A fuchsia-coloured awning
How to structure a composition in real-time.
PEER audio paper18.12.2019
Psycho-sonic cartography
Creating the imaginary city through electronic and electroacoustic music in word and sound.
PEER audio paper18.12.2019
Invisible sounds in a nested ecological space
A site-specific day-long installation/performance in the Gothenburg harbour.
PEER audio paper18.12.2019
H e (a) r
Of an ecological enactive perspective.
PEER audio paper18.12.2019
Found in translation
The process of making a piece for voice, Vietnamese zither đàn tranh, and electronics.
PEER audio paper18.12.2019
Mundania
Just above the noise floor.