reportage16.10.2018
Try competing with history, then
Warsaw Autumn is on its way to becoming a victim of its own success, James Black writes in his essay from the Polish capital.
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reportage14.09.2018
Maybe we fight, maybe we defend
Are commercial demands starting to influence contemporary music in the Nordic countries? James Black writes from the UNM Festival in Bergen, Norway.
essay04.09.2018
Memorials of grief: Music after 9/11
Essay by Tim Rutherford-Johnson on the musical responses to an incomprehensible historical event.
review03.08.2018
»An opera you need to see twice«
A generational cycle of sexual abuse paired with a clear and lucid score. Last year’s operatic talk of the town was back for one day.
essay11.07.2018
Lullabies and memory loss
Attending a concert – what’s it all about? In this essay Professor Holger Schulze takes us through his listening experience at Klang Festival in Copenhagen.
reportage29.06.2018
Noise in the tropical underground
The Indonesian noise and experimental music scene exists. Sanne Krogh Groth spent two weeks in Central Java, whose local culture influences the music.
reportage09.04.2018
Heterotopias
Maya Shenfeld returns to Israel to investigate the local music scene amid what has been labelled a ‘culture war’.
interview07.02.2018
Shouting, naked. James Black, the composer
His debut concert only a few weeks away – both a blessing and a ‘fucking nightmare’ – Copenhagen-based composer James Black talks to Andrew Mellor.
review31.01.2018
The gradual growth of ice crystals
Thinking big suits Icelandic composer Anna Thorvaldsdottir. Andrew Mellor on her works at Njord Biennale 2018.
review17.11.2017
Gong Tomorrow
Anmeldelse af Neue Vocalsolisten Stuttgart (3.11.17, Koncertkirken) & Copenhagen Piano Trio etcetera (8.11.17, Glyptoteket) under Gong Tomorrow Festival 2017
PEER article15.11.2017
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
PEER audio paper15.11.2017
Origo
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
PEER article15.11.2017
Turntable materialities
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
PEER article15.11.2017
A temple of sonic haecceities
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
PEER article15.11.2017
Beyond matter: object-disoriented sound art
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
PEER article15.11.2017
Tears, fears and flashes
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
PEER audio paper15.11.2017
Collisions
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
PEER audio paper15.11.2017
The audibility of rebellion versus nationalism
Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.
PEER article15.11.2017
The im/mediate noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
PEER audio paper15.11.2017
How to (re) do(o) things with sounds
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
PEER audio paper15.11.2017
Listening and not listening to voices
This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.
essay09.11.2017
A sonic time capsule
'A Sonic Time Capsule – a small instruction manual explaining how to realize such a thing' by Andrea Zarza Canova.
review06.10.2017
Downfall – A journey to the underworld and back again
Andrew Mellor anmelder operaen 'Nedstigning: underverdenen tur-retur', Takkeloftet, 26.9.17 - Musik af Nicolai Worsaae, libretto af Julie Maj Jakobsen.
interview27.09.2017
Gender and social relations in New Music: Tackling the octopus
Juliana Hodkinson interviews anthropologist / cultural theorist Georgina Born on gender and other social relations in contemporary music.
reportage20.09.2017
Hoffnung 3000 – Experimenting with an Anonymous Community
Shanti Suki Osman visited the festival Hoffnung 3000, which took place in Berlin on 24th-26th August.