PEER audio paper06.04.2021
History as composition
Colonial (dis-)appearances through reconstructed sites and sound
Perspective
what we immerse ourselves in
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PEER audio paper06.04.2021
A fundamental mode of being in the world
Collaborative improvisation as a creative point of departure for studio production. -
PEER audio paper06.04.2021
Play always as if in the presence of a master
Critical examination of piano music through a psychological understanding of the act of performing. -
PEER article06.04.2021
Seismograms of a musical work
An investigation of pianists’ independence from the score by comparing their tempo through graphs.
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PEER audio paper06.04.2021
Fleshy listening and multi-entity performance
Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’. -
PEER article06.04.2021
A chip off the old Block?
Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block. -
PEER audio paper06.04.2021
Stewardship to obsolescence and preservation
On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.
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interview08.03.2021
‘We don’t have the same aspirations at all’
Guitarist Mikkel Schou prefers the brand-new music composed today; his upcoming Debut Concert is a ‘thanks, but no thanks’ to institutional forces of habit. -
review08.12.2020
Beyond the ASMR phenomenon
At the Academy for Open Listening, Sofie Birch and My Lambertsen set out a new direction for the ASMR genre. -
essay23.11.2020
A song of one’s own
American composer Caroline Shaw drew criticism because she profited on Inuit throat singing, according to singer Tanya Tagaq.