review26.10.2020
One man, one mission
Mathias Monrad Møller showed us an exciting creative vision at his official debut concert as singer and composer – a vision overshadowing dull questions of mere skill.
Perspective
what we immerse ourselves in
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PEER article26.06.2020
Beyond the media reveal
If we sought to go beyond the media reveal, what new practices of knowledge should emerge? -
PEER article26.06.2020
Sounding new materialism
How does a sonic artist come to terms with the global effects of the tools of her trade? -
PEER article26.06.2020
The composer as curator
How John Cage deconstructed the governed gallery experience and formed a new field of research.
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PEER article26.06.2020
Confronting embodied knowledge
A methodology of working with embodied sound and movement as an approach to creating open score pieces. -
reportage26.06.2020
Keynotes on sound art, media art, and sonic materialism
Video recordings of five RE:SOUND keynotes as well as a panel discussion on sound art curation. -
audio paper18.06.2020
The silence of the fans
How can a crowd of football fans use sound to protest a profit-oriented football machinery? By staying completely silent, apparently.
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interview02.06.2020
‘I wanted to be radical’
Instruments struggle to voice themselves in the music of Christian Winther Christensen. His focus on small sounds and deep concentration is a perfect match for a time of silenced soundscapes. -
review31.03.2020
The system needs to change
Pulsar Festival 2020 took place under the shadow of Marcela Lucatelli’s ‘RGBW’. It’s time for a critical look at the systems of power. -
essay26.03.2020
Nature won’t protect you anymore
Nature seems to have turned on us. That shows in Nordic contemporary music with sonic tales of decay, apocalypse, and protest.