what we immerse ourselves in

review17.11.2016

Gong Tomorrow

World famous string quartet, 16 triangle players and a deranged and brilliant gesamtkunstwerk by contemporary Irish composer – Andrew Mellor reports from this years edition of Gong Tomorrow festival.

By Andrew Mellor

reportage13.11.2016

To dage under Oslos stjernehimmel

Jan Stricker reflekterer over festivalprogram, kuratering og musikhistoriske kontekster på baggrund af to dage i Oslo under Ultima Festival 2016.

By Jan Stricker
review09.11.2016

Glerups gennemsigtige implosion

Henrik Friis anmelder uropførelsen af den danske komponist Rune Glerups symfoniske værk 'Symfoni'.

By Henrik Friis
interview01.11.2016

Mangedobling af lyd

Portrætinterview med den danske komponist Niels Lyhne Løkkegaard, komponist på SOUND X SOUND.

By Simon Christensen (journalist)

review30.10.2016

Og til slut en hoppeborg

Nordiske Musikdage 2016.

By Michael Rebhahn

review11.10.2016

Beyond the downward droops – Bent Sørensen in Trondheim

Bent Sørensen was the resident composer at Trondheim Chamber Music Festival 2016. Andrew Mellor writes from Norway.

By Andrew Mellor
review04.10.2016

Tre eksperimenter mod den gængse musik

Tobias Linnemanne Ewé anmelder tre udgivelser fra samtidige danske lydkunstnere: Gry Bagøien, Lars Lundehave Hansen og Jonas Olesen & Rune Søchting.

By Tobias Linnemann Ewé
interview03.10.2016

2006-16: Is it time to downsize?

Line Tjørnhøj and Allan Gravgaard Madsen of the AUT board tell Andreo Michaelo Mielczarek about their views on the future of the association after a time of large-scale projects.

By Andreo Michaelo Mielczarek

portrait03.10.2016

1996-2006: Ready for the future

The beginning of the new millennium was characterized by digitalization and AUT had its golden age. Musically, there was a tendency towards both openness and seclusion.

By Hjarne Fessel

portrait03.10.2016

1986-96: Revitalised independence

AUT was trying to find its own identity compared to NUMUS and the conservatory. Hjarne Fessel remembers the period as a time with a strong faith in the future.

By Hjarne Fessel
portrait03.10.2016

1966-76: When Aarhus became the new music metropolis of Denmark

Erling Kullberg on the first ten years of AUT, a time when the Danish scene for new music was noticeably decentralized – not least due to some assiduous musicians.

By Erling Kullberg
interview29.09.2016

»Vi bliver nogle sære starutter«

Martin Stauning debuterer som komponist fra DKDM den 5. oktober, og i den anledning interviewer Peter Bruun sin unge kollega.

By Peter Bruun