Therese Wiwe Vilmar
By Therese Wiwe Vilmar
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in brief14.01
70 Minutes Confined to a Creaking Construction Site
Although »From Grimsby to Milan« contains a wealth of fine detail, the journey – from Grimsby in Canada to Milan in Ohio – ultimately feels long and monotonous. -
interview11.01
See Venice and Throw Up
Marie Koldkjær Højlund uses art, disgust, and everyday ruptures as resistance to habits, crises, and our urge to understand everything. -
in brief16.10
A Microphone In the Nervous System
On »BODY« IKI turns the voice inside out and lets technology listen beneath the skin – to the point where body, circuit, and circulation become one. -
review07.10
Anything Can Become Music – Even a Bunch Of Fake Frogs
At the Musica festival in Strasbourg, everything from children’s concerts to organ storms and performative string quartets turned into a playful exploration of sound, body, and community. -
in brief11.07
Fata Morgana Between Two Continents
The idea is strong, simple, and well executed. Like the sonic version of a cartoon mirage shimmering falsely in the sharp Californian sunlight. -
review24.06
»Oops, We Walked Past the Artwork« – the Hidden Presences of Sound Art in Moss
The MOMENTUM biennial in Moss, Norway lets sound art speak, guiding the audience into the borderlands of the senses – where even a toilet resonates like an echo chamber.