The Taiwanese-Danish percussionist Ying-Hsueh Chen explores the world’s smallest sounds – from red deer bones to roof tiles – in her pursuit of a music that is both ancient, courageous, and radically simple.

A dialogue on listening, loss and resonance across Poland, Germany, UK and Denmark.

Essay by Tim Rutherford-Johnson on the musical responses to an incomprehensible historical event.

Andreas Engström anmelder den norske lydkunstner Camille Norments udstilling 'Drawing and Sculpture' på Oslo Kunstforening 04.05-25.06.2017

Jan Stricker reflekterer over festivalprogram, kuratering og musikhistoriske kontekster på baggrund af to dage i Oslo under Ultima Festival 2016.