Precarious resonances
Sonic citizenship, fragility, and collective audibility in sumar by Diamela Eltit
Perspective
what we immerse ourselves in
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03.07
Mobile sonic citizenship
Co-sounding the outdoors in Helsinki -
PEER audio paper03.07
Sonic solidarity
How sonic solidarity is formed within a separatist community of women who have undergone fertility treatment -
PEER audio paper03.07
Dead silence
Negotiating noise with the non-living
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PEER audio paper03.07
Sounding missing persons
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PEER article03.07
Humming posthuman belonging
Circulating sounds as memetic citizenship practices in online music cultures -
review02.07
Oh, to Lose Yourself in Moers
The German Moers Festival is no longer primarily a jazz festival, but a curated laboratory for free improvisation, sound art, compositional music, and political absurdism. At times it feels forced. Most of the time, it is liberating.
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review23.06
While Europe's Jazz Searches for New Languages
At Jazzkaar, international stars are no longer the main attraction. Instead, the festival offers a glimpse of an Estonian scene in the process of shaping its own musical identity. -
review04.06
In a Forest Without a Path
Niels Rønsholdt’s new music-theatre work »Osmosis« creates a compelling universe of inverted trees, yearning voices, and rock-inflected asceticism. Yet the work’s central idea remains elusive. -
review25.05
From Coal Dust to Sound Art
Contemporary music is still alive – but often despite its own obsession with complexity and endless duration. That became clear at the festivals in Witten and Cologne.